Looking to Spring: Fear and Regeneration in Noora Niasari’s Shayda

Poetry in Pieces: The Carnal and the Divine in Michael Lee’s The Mystical Rose

Roles to Play: Games, Learning and Child Development in Bluey

Solo Act: Music and the Man’s World in Janine Hosking’s Knowing the Score

The Mountain Will Not Move: Rolf de Heer’s The Survival of Kindness

In the Company of Men: Fictionalising Misogyny in Kitty Green’s The Royal Hotel

Crises of Faith: Christianity, Aboriginal Spirituality and Colonisation in Warwick Thornton’s The New Boy

To Hell with Elevation: Ritual, Power and Transformation in Talk to Me

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Screen Education

Toys Are Us: Feminism, Consumerism and Becoming in Barbie

Cinema Science: Plumbing the Depths of Avatar: The Way of Water

Assembling the Debris: Russia 1985–1999: TraumaZone

Stoking the Fire: The Rousing Fictions of RRR

Focus on Asia and the Middle East

Emotional Fidelity: True Crime and Misogyny in Ali Abbasi’s Holy Spider

Interrupted Youth: Forced Marriage in Hà Lệ Diễm’s Children of the Mist

Open Investigations: Love and Obsession in Park Chan-wook’s Decision to Leave

Out of Water: Genre, Turkish Cinema and Emin Alper’s Burning Days

The NFSA Restores Collection


Australia Daze

Strictly Ballroom


Rocking the Foundations

From the Archive

Telling Our Love Story: AIDS, Adaptation and Neil Armfield’s Holding the Man

The Home Song Stories: Making It Real

An Independent Vision: An Interview with Rolf de Heer


Australian Film Industry Profile: Paul Cox

My Brilliant Career

The Electric Artist

Movies, Life, and Education

Film Appraisals

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