Looking to Spring: Fear and Regeneration in Noora Niasari’s Shayda

Words

08 October 2023
Australian and New Zealand CinemaIssue No. 216

To Hell with Elevation: Ritual, Power and Transformation in Talk to Me

Words

25 September 2023
FreeAustralian and New Zealand CinemaIssue No. 216

Valley of Iniquity: Escaping Subjugation in Gloriavale

Words

04 September 2023
DocumentaryIssue No. 216

Haunting Portraits: Intimacy and Identity in Alena Lodkina’s Petrol

Words

27 February 2023
Australian and New Zealand CinemaIssue No. 215

No Turning Back: Temporality, Displacement and Desire in Goran Stolevski’s Of an Age

Words

27 February 2023
Australian and New Zealand CinemaIssue No. 215

First Person Plural: Art and Provocation in Larissa Behrendt’s You Can Go Now

Words

27 February 2023
DocumentaryIssue No. 215

‘Enter My House Justified’: Amiel Courtin-Wilson’s Man on Earth and Assisted Suicide on Screen

Words

27 February 2023
DocumentaryIssue No. 215

In Hot Pursuit: The Spirit of Alfred Hitchcock in Roadgames

Words

27 February 2023
Critical ViewsIssue No. 215

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Focus on Asia and the Middle East

Interrupted Youth: Forced Marriage in Hà Lệ Diễm’s Children of the Mist

Words

27 February 2023
Focus on Asia and the Middle EastIssue No. 215

Open Investigations: Love and Obsession in Park Chan-wook’s Decision to Leave

Words

27 February 2023
Focus on Asia and the Middle EastIssue No. 215

Out of Water: Genre, Turkish Cinema and Emin Alper’s Burning Days

Words

29 November 2022
Focus on Asia and the Middle EastIssue No. 214

No Place to Run: Inescapable Politics in Mounia Akl’s Costa Brava, Lebanon

Words

29 November 2022
Focus on Asia and the Middle EastIssue No. 214

Screen Education

Toys Are Us: Feminism, Consumerism and Becoming in Barbie

Words

27 November 2023
FreeScreen EducationIssue No. 216

Cinema Science: Plumbing the Depths of Avatar: The Way of Water

Words

03 November 2023
Screen EducationIssue No. 216

Assembling the Debris: Russia 1985–1999: TraumaZone

Words

29 July 2023
Screen EducationIssue No. 216

Stoking the Fire: The Rousing Fictions of RRR

Words

27 February 2023
Screen EducationIssue No. 215

The NFSA Restores Collection

Australia Daze

Words

27 February 2023
The NFSA Restores CollectionIssue No. 215

Strictly Ballroom

Words

29 November 2022
The NFSA Restores CollectionIssue No. 214

Celia

Words

08 August 2022
The NFSA Restores CollectionIssue No. 213

Rocking the Foundations

Words

30 May 2022
The NFSA Restores CollectionIssue No. 212

Floating Life

Words

28 February 2022
The NFSA Restores CollectionIssue No. 211

From the Archive

Telling Our Love Story: AIDS, Adaptation and Neil Armfield’s Holding the Man

Words

19 October 2015
Spotlight on Queer FilmIssue No. 186

The Home Song Stories: Making It Real

Words

25 June 2007
Australian and New Zealand CinemaIssue No. 153

An Independent Vision: An Interview with Rolf de Heer

Words

09 September 2002
Australian and New Zealand CinemaIssue No. 134

beDevilling

Words

31 January 1994
Australian and New Zealand CinemaIssue No. 96

Australian Film Industry Profile: Paul Cox

Words

08 April 1985
Australian and New Zealand CinemaIssue No. 66

My Brilliant Career

Words

22 October 1979
FreeAustralian and New Zealand CinemaIssue No. 49

The Electric Artist

Words

15 October 1973
FreeBeyond the Big ScreenIssue No. 26 (Film Appreciation Newsletter vol. 3 no. 6)

Movies, Life, and Education

Words

01 October 1967
FreeMedia EducationIssue No. 11 – Issue No. 20 (Film Appreciation Newsletter vol. 2)

Film Appraisals

Words

01 July 1964
International CinemaIssue No. 1 – Issue No. 10 (Film Appreciation Newsletter vol. 1)

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