Period Drama: A Turning Red Study Guide Words Carolyn Leslie 08 August 2022 FreeScreen EducationIssue No. 213
War Stories: Media Coverage of the Russian Invasion of Ukraine Words Steven Aoun 08 August 2022 Screen EducationIssue No. 213
‘Mixed Up with Other People’s Dreams’: The Tangled Webs of Time in Summer Words David Heslin 08 August 2022 FreeCritical ViewsIssue No. 213
Cinematic Devices: Darcy Yuille on One Punch and Using Everyday Technology to Advantage Words Cameron Williams 08 August 2022 Industry PerspectivesIssue No. 213
Forty Years of the Australian Children’s Television Foundation Words Liz Giuffre 08 August 2022 Scope: Screen Industry ViewsIssue No. 213
Student Films Take Centre Stage in the AFTRS Documentary Showcase Words Cameron Williams 08 August 2022 Scope: Screen Industry ViewsIssue No. 213
End of an Era: Raging Fire and the Shifting Fortunes of Hong Kong Cinema Words Mike Walsh 08 August 2022 Scope: Screen Industry ViewsIssue No. 213
Sustainable Growth for All: Meet Australia’s First Videogame Union Words Nicholas Kennedy 08 August 2022 Scope: Screen Industry ViewsIssue No. 213
Memory, Myth and Representation: Leah Purcell on The Drover’s Wife the Legend of Molly Johnson Words Travis Johnson 30 May 2022 Australian and New Zealand CinemaIssue No. 212
Where the Heart Is: Shifting Frontiers in Here Out West Words Barnaby Smith 30 May 2022 Australian and New Zealand CinemaIssue No. 212
Authentic Depictions: Julie Kalceff and Ana Kokkinos on Here Out West Words Oliver Pfeiffer 30 May 2022 Australian and New Zealand CinemaIssue No. 212
All That Glitters: Anthony Hayes on Gold Words Stephen A Russell 30 May 2022 Australian and New Zealand CinemaIssue No. 212
Unguided Tour: Drifting Life in Adam C Briggs’ Paris Funeral, 1972 Words Brian McFarlane 30 May 2022 Australian and New Zealand CinemaIssue No. 212
Rolling in the Deep: Jane Castle’s When the Camera Stopped Rolling Words Glenn Dunks 30 May 2022 DocumentaryIssue No. 212
Singing into the Void: Dreams, Delusion and Fame in Matthew Walker’s I’m Wanita Words Kath Dooley 30 May 2022 DocumentaryIssue No. 212
Elusive Justice: Dean Gibson on Incarceration Nation and the Epidemic of Indigenous Imprisonment Words Jasmine Crittenden 30 May 2022 DocumentaryIssue No. 212
Turning the Tables: Observing and Seeing in Chef Antonio’s Recipes for Revolution Words Rebekah Brammer 30 May 2022 DocumentaryIssue No. 212
Time After Time: Temporality and Transcendence in Joseph London’s The Beloved Words Jake Wilson 30 May 2022 DocumentaryIssue No. 212
Mining the Past: Mythmaking and Identity in New Gold Mountain Words Tahney Fosdike 30 May 2022 Beyond the Big ScreenIssue No. 212
Distant Memories: Grief and Childhood in Li Dongmei’s Mama Words Debbie Zhou 30 May 2022 Focus on Asia and the Middle EastIssue No. 212
Subterranean Trauma: The Palestinian Experience in Darin J Sallam’s Farha Words Anthony Carew 30 May 2022 Focus on Asia and the Middle EastIssue No. 212
‘Horrible Imaginings’: Playing with Form in The Tragedy of Macbeth Words Annika Morling 30 May 2022 Screen EducationIssue No. 212
Cinema Science: Surveying the Landscape of Dune Words Dave Crewe 30 May 2022 Screen EducationIssue No. 212
A Whole New World: Metaverse as Fairytale in Belle Words Anthony Carew 30 May 2022 Screen EducationIssue No. 212
Objects of Desire: The Female Body and the Male Gaze in Sirens Words Myke Bartlett 30 May 2022 Screen EducationIssue No. 212
Hitting Home: Violence and Morality in Mr Inbetween Words Steven Aoun 30 May 2022 FreeCritical ViewsIssue No. 212
Flying the Coop: An Australian Coming of Age in Careful He Might Hear You Words Jarrod Sturnieks 30 May 2022 Critical ViewsIssue No. 212
Digitising Our Heritage: Patrick McIntyre on the NFSA’s Funding Boost Words CJ Johnson 30 May 2022 Scope: Screen Industry ViewsIssue No. 212
Shifting Sands: Kangaroo Beach and Australian Children’s TV Words Cameron Williams 30 May 2022 Scope: Screen Industry ViewsIssue No. 212
Trash and Treasure: Mitch McTaggart on Reviewing Australia on the Small Screen Words Liz Giuffre 30 May 2022 Scope: Screen Industry ViewsIssue No. 212
Journey into Darkness: Justin Kurzel and Shaun Grant on Nitram Words Anthony Carew 28 February 2022 Australian and New Zealand CinemaIssue No. 211
Pack of Lies: Masquerades of Masculinity in Jane Campion’s The Power of the Dog Words Adolfo Aranjuez 28 February 2022 Australian and New Zealand CinemaIssue No. 211
Searching for Home: Ainsley Gardiner and Briar Grace-Smith’s Cousins Words Danica van de Velde 28 February 2022 Australian and New Zealand CinemaIssue No. 211
The Eye of the Storm: Gender and Generational Change in Aaron Wilson’s Little Tornadoes Words Annika Morling 28 February 2022 Australian and New Zealand CinemaIssue No. 211
Up in Smoke: Eva Orner on Burning and the Failure of Australian Climate Policy Words Stephen A Russell 28 February 2022 DocumentaryIssue No. 211
Too Close to Home: Nuclear Nightmares in Jeff Daniels’ Television Event Words Eileen Jones 28 February 2022 DocumentaryIssue No. 211
Holding on to Hope: Love, Pain and Child Protection in Sascha Ettinger-Epstein’s The Department Words Hanna Schenkel 28 February 2022 DocumentaryIssue No. 211