Emotional Fidelity: True Crime and Misogyny in Ali Abbasi’s Holy Spider Words Alexandra Heller-Nicholas 09 February 2024 FreeFocus on Asia and the Middle EastIssue No. 216
To Hell with Elevation: Ritual, Power and Transformation in Talk to Me Words Alexandra Heller-Nicholas 25 September 2023 Australian and New Zealand CinemaIssue No. 216
Taking Flight: Deception and Impostor Syndrome in Michelle Savill’s Millie Lies Low Words Alexandra Heller-Nicholas 29 November 2022 Australian and New Zealand CinemaIssue No. 214
‘New Rivers Spin Inside’: Women and Witchcraft in Goran Stolevski’s You Won’t Be Alone Words Alexandra Heller-Nicholas 08 August 2022 Australian and New Zealand CinemaIssue No. 213
The Political Is Personal: Helen Reddy and the Generational Politics of I Am Woman Words Alexandra Heller-Nicholas 04 May 2020 Australian and New Zealand CinemaIssue No. 204
Howling III: The Marsupials Words Alexandra Heller-Nicholas 04 May 2020 The NFSA Restores CollectionIssue No. 204
The Pen Is Mightier than the Gun: Justin Kurzel’s True History of the Kelly Gang and Punk Historiography Words Alexandra Heller-Nicholas 28 January 2020 Australian and New Zealand CinemaIssue No. 203
Blood Feuds and Bloodlands: Steven Kastrissios’ Albanian Horror-Fantasy Words Alexandra Heller-Nicholas 29 January 2018 Spotlight on Genre FilmIssue No. 195
Alvin Purple Words Alexandra Heller-Nicholas 30 January 2017 The NFSA Restores CollectionIssue No. 191
Revenge of the Cheese Grater: Housebound and the Domestic Horror-Comedy Words Alexandra Heller-Nicholas 20 April 2015 Australian and New Zealand CinemaIssue No. 184
Homegrown Horror: The Ethics of Snowtown’s Suburban Nightmare Words Alexandra Heller-Nicholas 13 June 2011 Australian and New Zealand CinemaIssue No. 169