13 articles by Mel Campbell
‘What a Way to Make a Living’: Commodified Identity in Gracie Otto’s Seriously Red
Aspirational Delight: The Bland Fantasies of Renée Webster’s How to Please a Woman
Dry Fidelity: Robert Connolly’s The Dry and Big-screen Crime Adaptation
Mum’s Not the Word: Identity and Autonomy in Curtis Vowell’s Baby Done
‘Are You Not Entertained?’: Maziar Lahooti’s Below and the Morality of Pay-per-view Violence
Dawn of the Dad: Masculinity and Maturity in Abe Forsythe’s Little Monsters
Tearing Out a New Leaf: Book Week and the Unlikeable Protagonist
Dark Dresses, Problematic Pleasures: Mobility and Nostalgia in Bruce Beresford’s Ladies in Black
‘Permission to Operate Independently’: Upgrade and the Body-machines of Action Cinema
What Will You Do with Your OtherLife?: Sci-fi, Subjectivity and Technology
Beautiful Women and No Mirrors: Gillian Armstrong’s Women He’s Undressed
