The Myth of the Ocean, the Reality of Water: Robert Connolly and Radha Mitchell on Blueback

Words Travis Johnson

Dark Symbols: Violent Awakening in Del Kathryn Barton’s Blaze

Words Travis Johnson

Future Projection: The Emotional Landscape of Ivan Sen’s Loveland

Words Travis Johnson

Memory, Myth and Representation: Leah Purcell on The Drover’s Wife the Legend of Molly Johnson

Words Travis Johnson

It’s a Woman’s World: Essentialism and Wellness Culture in Creamerie

Words Travis Johnson

Life on Fast Forward: Mortality and Regret in Josh Lawson’s Long Story Short

Words Travis Johnson

Climate of Resignation: Unquiet Adolescence in Kathy Drayton’s The Weather Diaries

Words Travis Johnson

A Familiar Track: Looking Under the Hood of Owen Trevor’s Go!

Words Travis Johnson

The Drive to Succeed: Outrunning the Legacy of Brabham

Words Travis Johnson

A Race to the Goal: Adam Goodes’ Story in The Final Quarter and The Australian Dream

Words Travis Johnson

Troubled Bubble: The Aspirational Milieu of Rachel Ward’s Palm Beach

Words Travis Johnson

Hierarchies of Horror: The Violent Refrains of Jennifer Kent’s The Nightingale

Words Travis Johnson

Working-class Heroes: ABC’s The Heights and Social Stratification

Words Travis Johnson

The Parochial Fantastic: Australian Television Fantasy in Bloom and Tidelands

Words Travis Johnson