Not So Wedded to Tradition: Ali’s Wedding, the ‘Ethnic Rom-com’ and Realistic Representation
Words Sheree Joseph
Australian and New Zealand Cinema
256 articles
Not So Wedded to Tradition: Ali’s Wedding, the ‘Ethnic Rom-com’ and Realistic Representation
The Complexities of Confinement: Gender, Abuse and Cate Shortland’s Berlin Syndrome
Words Glenn Dunks
Silent Scars: Seeking Restitution in Tori Garrett’s Don’t Tell
Words Brian McFarlane
Live Performance: Acting and Adaptation in Alison Maclean’s The Rehearsal
Words Anthony Carew
Raising the Barre: Dance Academy on the Small and Silver Screen
Words Alexandra Neill
Double Trouble: Alice Foulcher and Gregory Erdstein on That’s Not Me
Words Rebecca Varcoe
Through the Window: The Trap of Curiosity in Rachel Perkins’ Jasper Jones
Words Ellen van Neerven
Lady Killers: Hounds of Love, Horror and Violence Against Women
Words Dave Crewe
Body Swap: Pulse and the Complications of Gender, Sexuality and Disability.
Words Stephen A Russell
Dog Years: Reticence and Reform in Kriv Stenders’ Red Dog: True Blue
Words Dave Hoskin
Down Under Desperado: The Legend of Ben Hall and the Bushranger Film
Words Brian McFarlane
Horror and Gore, Honour and Glory: Hacksaw Ridge and the War Film
Words Elizabeth Flux
Witness Born: Joe Cinque’s Consolation, Adaptation and Embodied Film Theory
Words Gabrielle O'Brien
Dream Sequence: Rosemary Myers’ Girl Asleep and Cinematic Coming of Age
Words Elizabeth Flux
Down and Out for Down Under: Critiquing Race Representation in Abe Forsythe’s Satire
Words Mehal Krayem
Balancing Acts: Ivan Sen’s Goldstone and Outback Noir
Words Greg Dolgopolov
On the Right Trek: Taika Waititi’s Hunt for the Wilderpeople and New Zealand Film
Words Elizabeth Flux
Boy, Interrupted: Teenage Kicks and Queer Authenticity
Words Glenn Dunks
Dancing Through Spaces: Stephen Page’s Spear and Distribution for Art Films
Words Lauren Carroll Harris
When Fire Turns to Frost: Decay and Detachment in Early Winter
Words Dave Crewe
Variations on a Theme: Pace and Perspective in Sue Brooks’ Looking for Grace
Words Zoë Wallin
Isle-cross’d Lovers: Vanuatu’s Tanna and the South Pacific Film
Words Glenn Dunks
What Lies Beneath: Death and Masculinity in Grant Scicluna’s Downriver
Words Laurence Barber
You Reap What You Sew: Jocelyn Moorhouse’s The Dressmaker
Words Stephanie Van Schilt
Old Hands, New Breed: Mad Max: Fury Road and Evolving Gender Roles
Words Cavan Gallagher
In the Name of the Father: Indoctrination and Revolt in Ariel Kleiman’s Partisan
Words Adam Briggs
Revenge of the Cheese Grater: Housebound and the Domestic Horror-Comedy
Words Alexandra Heller-Nicholas
Question Time: A Conversation with the Spierig Brothers About Predestination
Words Dave Hoskin
Bloody Good Comedy: What We Do in the Shadows
Words Anthony Carew
Behind Closed Doors: Josh Lawson on The Little Death
Words Oliver Pfeiffer
Abstracts of Violence: Amiel Courtin-Wilson and Michael Cody’s Ruin
Words Scott McCulloch
Against the Clock: Hugh Sullivan’s The Infinite Man
Words Myke Bartlett
Welcome to Charlie’s Country
Words Thomas Redwood
Such Is My Love: Rhys Graham’s Galore
Words Sarinah Masukor
Umbilical Fears: Jennifer Kent’s The Babadook
Words Briony Kidd
Cinema’s About-turn: Tim Winton’s The Turning
Words Tara Judah
Launching The Rocket: Beyond the Typical Australian Film
Words Glenn Dunks
Dances with Genre: Mystery Road
Words Greg Dolgopolov
Locating Lore: An Interview with Cate Shortland and Liz Watts
Words Jo Dillon
From Drag Queens to Best Men: An Interview with Stephan Elliott
Words Thomas Caldwell