Solo Act: Music and the Man’s World in Janine Hosking’s Knowing the Score
Words Greta Parry
Documentary
175 articles
Solo Act: Music and the Man’s World in Janine Hosking’s Knowing the Score
Valley of Iniquity: Escaping Subjugation in Gloriavale
Words Anthony Carew
For the Record: Commemorating the Co-ops in John Hughes and Tom Zubrycki’s Senses of Cinema
Words Jake Wilson
‘Enter My House Justified’: Amiel Courtin-Wilson’s Man on Earth and Assisted Suicide on Screen
Words Adrian Martin
Unfolding Disaster: Reliving Black Summer in Eddie Martin’s Fire Front
Words Glenn Dunks
Creation, Care and Country: Penelope McDonald on Audrey Napanangka
Words Jasmine Crittenden
First Person Plural: Art and Provocation in Larissa Behrendt’s You Can Go Now
Words Thomas Redwood
Precious Time: Family Life and Togetherness in Sari Braithwaite’s Because We Have Each Other
Words Kath Dooley
Starting Afresh: Trauma and Compassion in Lachlan McLeod’s Clean
Words Rebekah Brammer
Cathartic Moves: Competition and Community in Luke Cornish’s Keep Stepping
Words Debbie Zhou
Life on Show: The Ethical Quandaries of Jason van Genderen’s Everybody’s Oma
Words Susan Bye
The Past Flows into the Future: Kasimir Burgess’ Franklin
Words Belinda Smaill
World Without a Map: The Flattening Perspective of Jennifer Peedom’s River
Words Kenta McGrath
Mechanisms of Control: Yaara Bou Melhem on Unseen Skies
Words Anthony Carew
Stolen Lives: Confronting the Past in Allan Clarke’s The Bowraville Murders
Words Jasmine Crittenden
Burnishing an Icon: Madeleine Martiniello on Palazzo di Cozzo
Words Stephen A Russell
An Acquired Taste: Warwick Ross and Rob Coe on Blind Ambition
Words Oliver Pfeiffer
Lingering Notes: A Song Cycle Remembered in Philippa Bateman’s Wash My Soul in the River’s Flow
Words Barnaby Smith
Rolling in the Deep: Jane Castle’s When the Camera Stopped Rolling
Words Glenn Dunks
Singing into the Void: Dreams, Delusion and Fame in Matthew Walker’s I’m Wanita
Words Kath Dooley
Elusive Justice: Dean Gibson on Incarceration Nation and the Epidemic of Indigenous Imprisonment
Words Jasmine Crittenden
Turning the Tables: Observing and Seeing in Chef Antonio’s Recipes for Revolution
Words Rebekah Brammer
Time After Time: Temporality and Transcendence in Joseph London’s The Beloved
Words Jake Wilson
Up in Smoke: Eva Orner on Burning and the Failure of Australian Climate Policy
Words Stephen A Russell
Too Close to Home: Nuclear Nightmares in Jeff Daniels’ Television Event
Words Eileen Jones
Holding on to Hope: Love, Pain and Child Protection in Sascha Ettinger-Epstein’s The Department
Words Hanna Schenkel
Brief Candle: Jonathan Alley’s Love in Bright Landscapes: The Story of David McComb of The Triffids
Words Barnaby Smith
Flame of Truth: Tiriki Onus and Alec Morgan on Ablaze
Words Stephen A Russell
Long Way Home: Ben Lawrence and Gabriel Shipton on Ithaka and the Campaign to Free Julian Assange
Words David Heslin
Open Wound: Excavating Exploitation in Eddie Martin’s The Kids
Words Kath Dooley
Shared Suffering: Remembering the Tokyo Firebombing in Adrian Francis’ Paper City
Words Kenta McGrath
Confession Space: Danny Cohen and Courtney Barnett on Anonymous Club
Words Anthony Carew
For Whom the Bell Tolls: Cathy Henkel and Sam Lara on Saying Goodbye in Laura’s Choice
Words Stephen A Russell
Creativity in Confinement: Artistic Expression as Redemption in Alex Siddons’ The Art of Incarceration
Words Rebekah Brammer
One Final Bow: An Actor Reflects in Molly Reynolds’ My Name Is Gulpilil
Words Kath Dooley
A Light in the Dark: Nel Minchin on Firestarter – The Story of Bangarra
Words Stephen A Russell
The View from the Shore: Healing Through Songline in Steven McGregor’s Looky Looky Here Comes Cooky
Words Rebekah Brammer
Hip-hop of a Different Hue: Cultural Appreciation and Identification in Oscar Kightley’s Dawn Raid
Words CJ Johnson
Australian Spirit: Love and Country Music in Kriv Stenders’ Slim and I
Words Barnaby Smith
Climate of Resignation: Unquiet Adolescence in Kathy Drayton’s The Weather Diaries
Words Travis Johnson