House of Horrors: Ageing and Loss in Natalie Erika James’ Relic Words Josh Nelson Australian and New Zealand Cinema
All You Can Be: Self-actualisation, Self-acceptance and Disability in Paul Barakat’s Kairos Words Hanna Schenkel Australian and New Zealand Cinema
Performance, Transgression and Transformation: Angie Black’s The Five Provocations Words Gabrielle O'Brien Australian and New Zealand Cinema
Aussie Mayhem: Judd Tilyard on Jesse O’Brien’s Two Heads Creek Words Oliver Pfeiffer Australian and New Zealand Cinema
Sounds of Loss: Time and Displacement in Allison Chhorn’s The Plastic House Words Susan Bye Documentary
Forever Young: Music and Mystery in Sam Zubrycki’s Miguelito: Canto a Borinquen Words Jasmine Crittenden Documentary
Singing from the Rooftops: Art, Ambition and Hometown Pride in Liselle Mei’s Love Opera Words Rebekah Brammer Documentary
Making Visible: Out Here, Love Bites and LGBTQIA+ Documentary on the Small Screen Words Kim Munro Documentary
Sweet, Sour and Spicy Country: Isolation as Performance in Warwick Thornton’s The Beach Words Kenta McGrath Beyond the Big Screen
Hidden Idols and Clued-in Contenders: The Evolution of Australian Survivor Words Dave Crewe Beyond the Big Screen
‘Rummaging Through the Rubble’: Creative Constraints in Prototype’s Rapid-response Care Package Words Kim Munro Beyond the Big Screen
Laughter Through Tears: Palestine and Self-portraiture in the Films of Elia Suleiman Words Anthony Carew Focus on Asia and the Middle East
Indeterminate Past: Death, Regret and Time Travel in Mattie Do’s The Long Walk Words Kate Robertson Focus on Asia and the Middle East
Counterfeit Images: A History of Blackface on Australian Television Words Stephen Vagg Screen Education
‘The Show Must Go On’: Transgression and the Carnivalesque in Moulin Rouge! Words Adolfo Aranjuez Critical Views
The Winter of Our Discontent: Australian Cinema Under Lockdown Words Rochelle Siemienowicz Scope: Screen Industry Views
Infectious Scrolling: Social Media, Mental Health and COVID-19 Words Adolfo Aranjuez Scope: Screen Industry Views
Belonging and Representation: The 2020 Freeplay Independent Games Festival Words April Tyack Scope: Screen Industry Views
When Live Venues Become Screen Hubs: The Sydney Opera House Goes Online Words Liz Giuffre Scope: Screen Industry Views