Issue No. 212
May 2022
Authentic Depictions: Julie Kalceff and Ana Kokkinos on Here Out West
All That Glitters: Anthony Hayes on Gold
Unguided Tour: Drifting Life in Adam C Briggs’ Paris Funeral, 1972
Rolling in the Deep: Jane Castle’s When the Camera Stopped Rolling
Singing into the Void: Dreams, Delusion and Fame in Matthew Walker’s I’m Wanita
Elusive Justice: Dean Gibson on Incarceration Nation and the Epidemic of Indigenous Imprisonment
Turning the Tables: Observing and Seeing in Chef Antonio’s Recipes for Revolution
Time After Time: Temporality and Transcendence in Joseph London’s The Beloved
Mining the Past: Mythmaking and Identity in New Gold Mountain
Distant Memories: Grief and Childhood in Li Dongmei’s Mama
Subterranean Trauma: The Palestinian Experience in Darin J Sallam’s Farha
‘Horrible Imaginings’: Playing with Form in The Tragedy of Macbeth
Cinema Science: Surveying the Landscape of Dune
A Whole New World: Metaverse as Fairytale in Belle
Objects of Desire: The Female Body and the Male Gaze in Sirens
Hitting Home: Violence and Morality in Mr Inbetween
Flying the Coop: An Australian Coming of Age in Careful He Might Hear You
Rocking the Foundations
Digitising Our Heritage: Patrick McIntyre on the NFSA’s Funding Boost
Shifting Sands: Kangaroo Beach and Australian Children’s TV
Trash and Treasure: Mitch McTaggart on Reviewing Australia on the Small Screen
