No Exit: Regional Australian Atrophy in Kyle Davis’ Dry Winter

Moving Forward in Circles: Repetition and Reflection in Hong Sang-soo’s Grass

It’s Still Life: Abbas Kiarostami’s 24 Frames

Cutting Through the Chanbara Film: Takashi Miike’s Blade of the Immortal

Players on the Stage: Asghar Farhadi’s The Salesman

Phase Change: Apichatpong Weerasethakul’s Cemetery of Splendour