Industry Perspectives

Cinematic Devices: Darcy Yuille on One Punch and Using Everyday Technology to Advantage

Words Cameron Williams

Traversing Homesickness: Olivia Haines on Surf Club

Words Stephanie Harkin

Sliced and Diced: Enzo Tedeschi and Rachele Wiggins on Deadhouse Dark

Words Mark David Ryan

Out of the Frying Pan: Screen Australia and the Producer Offset

Words Glenda Hambly

Islands in the Stream: Static Vision’s Remedy for Lockdown Loneliness

Words Louise Sheedy

Kicking the Door Down: Lessons from the Women in Screen Workshop

Words Kate Robertson

Fast and Furious Filmmaking: YouTube’s Prospects for Budding and Veteran Screen Content Producers

Words Guy Healy

Funny Women on Demand: Australian Female Comedians on Screen

Words Angela Jones

A Dense Web of Relationships: How Film Culture Sustains the Screen Industries

Words Anne Rutherford

Obstacle Course: Increasing Women’s Participation in Australian Film and Television

Words Sally Storey

Seeing Double: ABC Comedy and SBS Viceland

Words Cameron Williams

Against the Grain: The Documentary Sensibility of Sue Brooks’ Fiction Filmmaking

Words Steve Thomas

The Streaming Arms Race: Original VOD Programming in Australia

Words Cameron Williams

Picture Partnership: Co-productions and the Australian Screen Industries

Words Tim Bosanquet

Tale of a Luminary: The Shine Campaign

Words Andrew Pike

Queer Controversy: Roger Ward and Sean Myers on The Set

Words Oliver Pfeiffer

Kitchen Nightmares: What Into the Shadows Says About the Local Film Industry

Words Gil Scrine

Film Criticism … Somebody’s Got to Do It

Words Phillip Cenere

It’s a Queer World: How Has Queer Film Changed over the Years?

Words Cynthia Karena

Writing on the Wall: Cantrill’s Filmnotes

Words Dirk de Bruyn

People in Media: Natalie Miller

Words Helen Kon, Tricia Nilvor

From the Dark Night: Thomas Keneally on Jimmie Blacksmith

Words Peter Hamilton

Water off a Doug’s Back

Words Phillip Adams

The Script Problem in Australian Films & Television

Words Barry Jones