Film | Television | New Media

    • Australian and New Zealand Cinema
    • Beyond the Big Screen
    • Critical Views
    • Documentary
    • Focus on Asia and the Middle East
    • Industry Perspectives
    • International Cinema
    • The NFSA Restores Collection
    • Scope: Screen Industry Views
    • Screen Education
    • Media Education
    • Book Reviews
    • Special Feature
      • Spotlight on Genre Film
    • Editorial
    • Letters to the Editor
  • About
  • Issues
  • Subscribe
  • My Account
  • Log in
  • FAQs
  • Writers
  • Advertising
  • Contact

Issue No. 197

August 2018

Muddied Waters: Risk and Reflection in Simon Baker’s Breath

Words Dave Crewe

Australian and New Zealand Cinema

Heavy Here and Now: Alena Lodkina’s Strange Colours

Words Adrian Martin

Australian and New Zealand Cinema

Burning Down the House: Winchester and the Truth About Ghosts

Words Elizabeth Flux

Australian and New Zealand Cinema

Rebel on the Screen: Mike Retter on Youth on the March

Words Anthony Nocera

Australian and New Zealand Cinema

Recurring Nightmares: Dark Australian Classics Reimagined

Words Stephen A Russell

Beyond the Big Screen

Pride in Protest: The ABC’s Riot and the Birth of Mardi Gras

Words Glenn Dunks

Beyond the Big Screen

Tip of the Landfill: The ABC’s War on Waste

Words Sam van Zweden

Beyond the Big Screen

Mirth and Malady: Homecoming Queens and Depicting Chronic Illness

Words Kylie Maslen

Beyond the Big Screen

Dance of Despair: Israel, Trauma and Samuel Maoz’s Foxtrot

Words Anthony Carew

Focus on Asia and the Middle East

It’s Still Life: Abbas Kiarostami’s 24 Frames

Words James Robert Douglas

Focus on Asia and the Middle East

Representing Resistance: Ayse Toprak’s Mr Gay Syria and LGBTQIA+ Rights

Words Gabrielle O'Brien

Focus on Asia and the Middle East

Obstructed Progress: Ai Weiwei’s Human Flow and the Global Refugee Crisis

Words Hanna Schenkel

Documentary

Echoes of Tradition: Paul Williams’ Elegy for Geoffrey Gurrumul Yunupingu

Words Felicity Ford

Documentary

Creation in the Cutting Room: Jill Bilcock on the Art of Film Editing

Words Oliver Pfeiffer

Documentary

Portrait of a Man Condemned: Matthew Sleeth’s Guilty

Words Sarah Ward

Documentary

Colonial Inquest: Les McLaren and Annie Stiven’s Life Is a Very Strange Thing

Words John Catania

Documentary

Storm Boy

Words Terry Hayes

The NFSA Restores Collection

Landscape of Silence: Sound Design in the Films of Warwick Thornton

Words Eloise Ross

Critical Views

Freaky Farmers and Sick Flocks: The Locals and Black Sheep

Words Louise Lavery

Critical Views

Seeing Double: ABC Comedy and SBS Viceland

Words Cameron Williams

Industry Perspectives

Stand-up on the Small Screen

Words Liz Giuffre

Scope: Screen Industry Views

Full Stream Ahead Against Piracy

Words Glenn Dunks

Scope: Screen Industry Views

Labour of Love: Unionisation in the Videogames Industry

Words Dan Golding

Scope: Screen Industry Views

Smashing Barriers to Entry: Screen Australia’s Drama-development Funding Overhaul

Words Rochelle Siemienowicz

Scope: Screen Industry Views

Contents

    Australian and New Zealand Cinema

  • Muddied Waters: Risk and Reflection in Simon Baker’s Breath
  • Heavy Here and Now: Alena Lodkina’s Strange Colours
  • Burning Down the House: Winchester and the Truth About Ghosts
  • Rebel on the Screen: Mike Retter on Youth on the March
  • Beyond the Big Screen

  • Recurring Nightmares: Dark Australian Classics Reimagined
  • Pride in Protest: The ABC’s Riot and the Birth of Mardi Gras
  • Tip of the Landfill: The ABC’s War on Waste
  • Mirth and Malady: Homecoming Queens and Depicting Chronic Illness
  • Focus on Asia and the Middle East

  • Dance of Despair: Israel, Trauma and Samuel Maoz’s Foxtrot
  • It’s Still Life: Abbas Kiarostami’s 24 Frames
  • Representing Resistance: Ayse Toprak’s Mr Gay Syria and LGBTQIA+ Rights
  • Documentary

  • Obstructed Progress: Ai Weiwei’s Human Flow and the Global Refugee Crisis
  • Echoes of Tradition: Paul Williams’ Elegy for Geoffrey Gurrumul Yunupingu
  • Creation in the Cutting Room: Jill Bilcock on the Art of Film Editing
  • Portrait of a Man Condemned: Matthew Sleeth’s Guilty
  • Colonial Inquest: Les McLaren and Annie Stiven’s Life Is a Very Strange Thing
  • The NFSA Restores Collection

  • Storm Boy
  • Critical Views

  • Landscape of Silence: Sound Design in the Films of Warwick Thornton
  • Freaky Farmers and Sick Flocks: The Locals and Black Sheep
  • Industry Perspectives

  • Seeing Double: ABC Comedy and SBS Viceland
  • Scope: Screen Industry Views

  • Stand-up on the Small Screen
  • Full Stream Ahead Against Piracy
  • Labour of Love: Unionisation in the Videogames Industry
  • Smashing Barriers to Entry: Screen Australia’s Drama-development Funding Overhaul

Film | Television | New Media

  • FAQs
  • Writers
  • Advertising
  • Contact

    Connect with Metro magazine

  • facebook
  • twitter
  • youtube
  • instagram
  • subscribe

A Good Energy Project by Studio Malt

Metro is proud to acknowledge the Traditional Owners of the land on which we live and work. We honour and respect their ongoing cultural and spiritual connection to this country. We pay our respects to elders past, present and emerging.

© Australian Teachers of Media Inc. (ATOM) 2021–2022

  • Privacy Policy
  • Terms

A Good Energy Project by Studio Malt