Heavy Here and Now: Alena Lodkina’s Strange Colours
Words Adrian Martin
Issue No. 197
August 2018Heavy Here and Now: Alena Lodkina’s Strange Colours
Burning Down the House: Winchester and the Truth About Ghosts
Words Elizabeth Flux
Rebel on the Screen: Mike Retter on Youth on the March
Words Anthony Nocera
Recurring Nightmares: Dark Australian Classics Reimagined
Words Stephen A Russell
Pride in Protest: The ABC’s Riot and the Birth of Mardi Gras
Words Glenn Dunks
Tip of the Landfill: The ABC’s War on Waste
Words Sam van Zweden
Mirth and Malady: Homecoming Queens and Depicting Chronic Illness
Words Kylie Maslen
Dance of Despair: Israel, Trauma and Samuel Maoz’s Foxtrot
Words Anthony Carew
It’s Still Life: Abbas Kiarostami’s 24 Frames
Words James Robert Douglas
Representing Resistance: Ayse Toprak’s Mr Gay Syria and LGBTQIA+ Rights
Words Gabrielle O'Brien
Obstructed Progress: Ai Weiwei’s Human Flow and the Global Refugee Crisis
Words Hanna Schenkel
Echoes of Tradition: Paul Williams’ Elegy for Geoffrey Gurrumul Yunupingu
Words Felicity Ford
Creation in the Cutting Room: Jill Bilcock on the Art of Film Editing
Words Oliver Pfeiffer
Portrait of a Man Condemned: Matthew Sleeth’s Guilty
Words Sarah Ward
Colonial Inquest: Les McLaren and Annie Stiven’s Life Is a Very Strange Thing
Words John Catania
Storm Boy
Words Terry Hayes
Landscape of Silence: Sound Design in the Films of Warwick Thornton
Words Eloise Ross
Freaky Farmers and Sick Flocks: The Locals and Black Sheep
Words Louise Lavery
Seeing Double: ABC Comedy and SBS Viceland
Words Cameron Williams
Stand-up on the Small Screen
Words Liz Giuffre
Full Stream Ahead Against Piracy
Words Glenn Dunks
Labour of Love: Unionisation in the Videogames Industry
Words Dan Golding
Smashing Barriers to Entry: Screen Australia’s Drama-development Funding Overhaul
Words Rochelle Siemienowicz