33 articles by Dave Crewe
Cinema Science: Hitting New Speeds in Top Gun: Maverick
Cinema Science: Into the Multiverse
Cinema Science: Cosmic Collisions and Disaster Denialism in Don’t Look Up
Cinema Science: Surveying the Landscape of Dune
Cinema Science: Animal Activities in Babe
Cinema Science: Journeying Within in Inside Out
Cinema Science: Deconstructing the Machinery of the Mad Max Films
Muted Suffering: Myopia and Missed Opportunities in Stateless
Cinema Science: Aerodynamic Instruction and Paper Planes
Bathing in Genre: Homage and Experimentation in Parish Malfitano’s Bloodshot Heart
Cinema Science: Cracking the Code of The Matrix
Hidden Idols and Clued-in Contenders: The Evolution of Australian Survivor
Cinema Science: Picking Up the Frequencies of The Dish
Purposeful Provocation: Auteurism and Artistry in Takashi Miike’s First Love
Cinema Science: Coronavirus Through the Lens of Contagion
Maternal Instinct: Genre, Grief and Mental Illness in Kim Farrant’s Angel of Mine
Cinema Science: Using the Force of Star Wars
Artificial Inheritance: Robotics and Responsibility in Grant Sputore’s I Am Mother
Scars of Time: Guilt and Forgiveness in Wang Xiaoshuai’s So Long, My Son
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Arid Visions: Reflections in the Dust, Gendered Violence and Experimental Cinema
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Crooked Histories: Underbelly and Australian Self-mythologisation
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Sibling Reverie: Growth and Interdependence in Mamoru Hosoda’s Mirai
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Fraternity Test: Watching Brothers’ Nest in the Shadow of Kenny
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Homeward Bound: The Perils of Duty and Palestinian Society in Annemarie Jacir’s Wajib
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Muddied Waters: Risk and Reflection in Simon Baker’s Breath
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Welcome to Ugly Country: Nostalgia and Nationalism in Stephan Elliott’s Swinging Safari
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Turning the Lens: Looking and Reliving in Hong Sang-soo’s Claire’s Camera
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Making Peace: Resignation, the Road Movie and Kirsten Tan’s Pop Aye
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