Issue No. 201
August 2019
Girls Behaving Badly: Love, Honour and Disobedience in Sophie Hyde’s Animals
Sin City: Diaspora, Displacement and Matthew Victor Pastor’s Melodrama / Random / Melbourne
Arid Visions: Reflections in the Dust, Gendered Violence and Experimental Cinema
Kiss Me Deadly: Robbie Studsor on Blowing a Burning Kiss to Film Noir
A School of Fishers: Ms Fisher’s Modern Murder Mysteries and the Lineage of a Franchise
Working-class Heroes: ABC’s The Heights and Social Stratification
Quiet Night Thoughts: Warped Time in Three Asian Arthouse Films
Art as Resistance: History and the Individual in Jafar Panahi’s 3 Faces
Moving Forward in Circles: Repetition and Reflection in Hong Sang-soo’s Grass
Things to Come: The Wandering Earth and Chinese Cinema’s Growing Predominance
Seeds of Change: Damon Gameau’s 2040 and Sustainable Futures
Destructive Pasts, Hopeful Possibilities: The Simulated Environment in Awavena and Did You Ask the River?
Dying a Woman With Dignity: Becoming Colleen and Late-life Gender Transition
Hitting the Right Note: Janine Hosking’s The Eulogy and the Perils of Praise
Setting the Record Straight: Greg Carey and Wade Jackson’s Waiting: The Van Duren Story
Aural Reflections: Music, Self and Objectivity in Now Sound: Melbourne’s Listening and Her Sound, Her Story
Witches and Faggots, Dykes and Poofters
A Dense Web of Relationships: How Film Culture Sustains the Screen Industries
Spending Not-so-liberally: Videogames Remain Unfunded
Film Podcasting: One for the Fans
