Special Feature
47 articles
The Past Is a Foreign Country
In the Beginning, There Was Film Appreciation
Metro in the 1970s
A Brief History of Metro
The Bridge
Letter from the Editors
Indigenous Representations on Screen and in Print
Classic Takes: The NFSA Essays
The Changing Face of Genre
Old Journal, New Media
Sydney and the Small Screen
Penning with Pride
Advocacy Meets Analysis: Metro and Documentary
Three Paths to Asian Cinema
Melbourne Plays Itself
The Reel South: Adelaide and Metro
Enabling a Screen Ecology
Bad Blood and Bitterness: Colonisation and the Western in Warwick Thornton’s Sweet Country
What Will You Do with Your OtherLife?: Sci-fi, Subjectivity and Technology
Outback Outbreak: Yolanda Ramke and Ben Howling on Cargo and the Zombie Film
Blood Feuds and Bloodlands: Steven Kastrissios’ Albanian Horror-Fantasy
Boys Will Be Boys: Horror Tropes and Male Privilege in Chris Peckover’s Better Watch Out
Seeing Double: Cinematic Twins in Rabbit and That’s Not Me
Sci-fi on a Shoestring: Ché Baker and Sarah Mason on Blue World Order
Into the Light: Alex Proyas’ Dark City Two Decades On
Lost in the Woods: Greg McLean’s Jungle
Telling Our Love Story: AIDS, Adaptation and Neil Armfield’s Holding the Man
After Priscilla: The Queer Screen Twenty-one Years On
