Crises of Faith: Christianity, Aboriginal Spirituality and Colonisation in Warwick Thornton’s The New Boy Words Anthony Carew 19 December 2023 Australian and New Zealand CinemaIssue No. 216
Valley of Iniquity: Escaping Subjugation in Gloriavale Words Anthony Carew 04 September 2023 DocumentaryIssue No. 216
Mirror Image: Thomas M Wright on The Stranger Words Anthony Carew 27 February 2023 FreeAustralian and New Zealand CinemaIssue No. 215
Open Investigations: Love and Obsession in Park Chan-wook’s Decision to Leave Words Anthony Carew 27 February 2023 Focus on Asia and the Middle EastIssue No. 215
Spinning Tales: Myth and Magic in George Miller’s Three Thousand Years of Longing Words Anthony Carew 29 November 2022 Australian and New Zealand CinemaIssue No. 214
No Place to Run: Inescapable Politics in Mounia Akl’s Costa Brava, Lebanon Words Anthony Carew 29 November 2022 Focus on Asia and the Middle EastIssue No. 214
Mechanisms of Control: Yaara Bou Melhem on Unseen Skies Words Anthony Carew 08 August 2022 DocumentaryIssue No. 213
A God Is Born: Religion and the Absurd in Ritwik Pareek’s Dug Dug Words Anthony Carew 08 August 2022 Focus on Asia and the Middle EastIssue No. 213
Subterranean Trauma: The Palestinian Experience in Darin J Sallam’s Farha Words Anthony Carew 30 May 2022 Focus on Asia and the Middle EastIssue No. 212
A Whole New World: Metaverse as Fairytale in Belle Words Anthony Carew 30 May 2022 Screen EducationIssue No. 212
Journey into Darkness: Justin Kurzel and Shaun Grant on Nitram Words Anthony Carew 28 February 2022 Australian and New Zealand CinemaIssue No. 211
Performing Truth: The Films of Ryūsuke Hamaguchi Words Anthony Carew 28 February 2022 Focus on Asia and the Middle EastIssue No. 211
Confession Space: Danny Cohen and Courtney Barnett on Anonymous Club Words Anthony Carew 29 November 2021 DocumentaryIssue No. 210
Sacred Arts: Devotion and Disillusionment in Chaitanya Tamhane’s The Disciple Words Anthony Carew 29 November 2021 Focus on Asia and the Middle EastIssue No. 210
Women on the Verge: Haifaa Al Mansour’s The Perfect Candidate Words Anthony Carew 30 August 2021 Focus on Asia and the Middle EastIssue No. 209
Documenting the Self: Art, Celebrity and Storytelling in 20,000 Days on Earth Words Anthony Carew 30 August 2021 Screen EducationIssue No. 209
Confinement and Camaraderie: Girls Behind Bars in Starless Dreams and Sunless Shadows Words Anthony Carew 10 May 2021 Focus on Asia and the Middle EastIssue No. 208
Breaking the Spell: Nostalgia and New Directions in Earwig and the Witch Words Anthony Carew 10 May 2021 FreeScreen EducationIssue No. 208
Judge, Jury and Executioner: Voyeurism and Vigilantism in Alex Roberts and Daniel Leclair’s The Meddler Words Anthony Carew 25 January 2021 DocumentaryIssue No. 207
Uneasy Transition: The City Documented in Hong Kong Moments and Many Undulating Things Words Anthony Carew 25 January 2021 Focus on Asia and the Middle EastIssue No. 207
Signs and Wonders: Bringing The Luminaries to Screen Words Anthony Carew 19 October 2020 Beyond the Big ScreenIssue No. 206
Laughter Through Tears: Palestine and Self-portraiture in the Films of Elia Suleiman Words Anthony Carew 19 October 2020 Focus on Asia and the Middle EastIssue No. 206
Playing a Part: Neurodiversity and Self-discovery in Sex and Death Words Anthony Carew 03 August 2020 Beyond the Big ScreenIssue No. 205
Dreams and Nightmares: The Animated Worlds of Satoshi Kon Words Anthony Carew 03 August 2020 Focus on Asia and the Middle EastIssue No. 205
Multiplayer Mode: Loss and Growing Up in Makoto Nagahisa’s We Are Little Zombies Words Anthony Carew 04 May 2020 Focus on Asia and the Middle EastIssue No. 204
We Unhappy Few: Muddy Morality and Ugly Truth in David Michôd’s The King Words Anthony Carew 04 May 2020 Screen EducationIssue No. 204
Finding Home in a Daydream: Shahrbanoo Sadat’s The Orphanage and Afghan Storytelling Words Anthony Carew 28 January 2020 Focus on Asia and the Middle EastIssue No. 203
Ghost in the Algorithm: Justin Krook’s Machine and Advancing AI Words Anthony Carew 28 January 2020 DocumentaryIssue No. 203
Pantomime of Violence: Gender and Outrage in Mirrah Foulkes’ Judy & Punch Words Anthony Carew 28 October 2019 Australian and New Zealand CinemaIssue No. 202
Chosen Land: Affection and Ambivalence in Nadav Lapid’s Films About Israel Words Anthony Carew 28 October 2019 Focus on Asia and the Middle EastIssue No. 202
Aural Reflections: Music, Self and Objectivity in Now Sound: Melbourne’s Listening and Her Sound, Her Story Words Anthony Carew 05 August 2019 FreeCritical ViewsIssue No. 201
Quiet Rage: The Fire and Finesse of Lee Chang-dong’s Cinema Words Anthony Carew 06 May 2019 Focus on Asia and the Middle EastIssue No. 200
Communal Complicity: Family and Fairness in Hirokazu Koreeda’s Shoplifters and The Third Murder Words Anthony Carew 29 January 2019 Focus on Asia and the Middle EastIssue No. 199
Heading for Deep Water: Interrogating Detention in Gabrielle Brady’s Island of the Hungry Ghosts Words Anthony Carew 29 January 2019 DocumentaryIssue No. 199
Glacial Contemplations: The Meditative Films of Nuri Bilge Ceylan Words Anthony Carew 22 October 2018 Focus on Asia and the Middle EastIssue No. 198
Cut-up Country: The Polemics of Presentation in [Censored] and Terror Nullius Words Anthony Carew 22 October 2018 Critical ViewsIssue No. 198
Dance of Despair: Israel, Trauma and Samuel Maoz’s Foxtrot Words Anthony Carew 06 August 2018 Focus on Asia and the Middle EastIssue No. 197
Salt of the Earth: Virtue and Vengeance in Mohammad Rasoulof’s A Man of Integrity Words Anthony Carew 07 May 2018 Focus on Asia and the Middle EastIssue No. 196
High Price Tag: Art and Absolution in Have You Seen the Listers? Words Anthony Carew 07 May 2018 DocumentaryIssue No. 196