Dry Fidelity: Robert Connolly’s The Dry and Big-screen Crime Adaptation Words Mel Campbell Australian and New Zealand Cinema
Bird’s-eye View: Glendyn Ivin on Chance and Nature in Penguin Bloom Words Jasmine Crittenden Australian and New Zealand Cinema
Out of Breath: Timely Issues and Old Gender Tropes in Seth Larney’s 2067 Words Bronwyn Lovell Australian and New Zealand Cinema
Shooting for the Stars: Luke Sparke’s Occupation: Rainfall and the Elusive Australian Blockbuster Words David Michael Brown Australian and New Zealand Cinema
Rocky Road: Running From Responsibility in Kurt Martin’s Moon Rock for Monday Words Thomas Redwood Australian and New Zealand Cinema
A Light in the Dark: Nel Minchin on Firestarter – The Story of Bangarra Words Stephen A Russell Documentary
The View from the Shore: Healing Through Songline in Steven McGregor’s Looky Looky Here Comes Cooky Words Rebekah Brammer Documentary
Hip-hop of a Different Hue: Cultural Appreciation and Identification in Oscar Kightley’s Dawn Raid Words CJ Johnson Documentary
Australian Spirit: Love and Country Music in Kriv Stenders’ Slim and I Words Barnaby Smith Documentary
Climate of Resignation: Unquiet Adolescence in Kathy Drayton’s The Weather Diaries Words Travis Johnson Documentary
Confinement and Camaraderie: Girls Behind Bars in Starless Dreams and Sunless Shadows Words Anthony Carew Focus on Asia and the Middle East
Artificial Rain: Control, Precision and Reality in Anthony Chen’s Wet Season Words Kenta McGrath Focus on Asia and the Middle East
Breaking the Spell: Nostalgia and New Directions in Earwig and the Witch Words Anthony Carew Screen Education
Second Time Lucky? Australian Games Studios in Periods of Crisis Words April Tyack Scope: Screen Industry Views
A Response to ‘History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili’ Words Peter Hegedus Letters to the Editor