‘The Stars Are All Strange Here’: Cultural Memory and Forgetfulness in Roderick MacKay’s The Furnace

Dry Fidelity: Robert Connolly’s The Dry and Big-screen Crime Adaptation

Bird’s-eye View: Glendyn Ivin on Chance and Nature in Penguin Bloom

Out of Breath: Timely Issues and Old Gender Tropes in Seth Larney’s 2067

Shooting for the Stars: Luke Sparke’s Occupation: Rainfall and the Elusive Australian Blockbuster

Rocky Road: Running From Responsibility in Kurt Martin’s Moon Rock for Monday

A Light in the Dark: Nel Minchin on Firestarter – The Story of Bangarra

The View from the Shore: Healing Through Songline in Steven McGregor’s Looky Looky Here Comes Cooky

Hip-hop of a Different Hue: Cultural Appreciation and Identification in Oscar Kightley’s Dawn Raid

Australian Spirit: Love and Country Music in Kriv Stenders’ Slim and I

Climate of Resignation: Unquiet Adolescence in Kathy Drayton’s The Weather Diaries

Muted Suffering: Myopia and Missed Opportunities in Stateless

Confinement and Camaraderie: Girls Behind Bars in Starless Dreams and Sunless Shadows

Artificial Rain: Control, Precision and Reality in Anthony Chen’s Wet Season

Cinema Science: Aerodynamic Instruction and Paper Planes

Breaking the Spell: Nostalgia and New Directions in Earwig and the Witch

Time of Transition: First Day and Being Seen on Screen

Frozen Hearts: Coming of Age in Somersault

Outback Ethnography: Revisiting Fred Zinnemann’s The Sundowners


Brave New Sector: An Industry Adapts

Second Time Lucky? Australian Games Studios in Periods of Crisis

COVID-19 and the Future of Music Television

A Response to ‘History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili