Roles to Play: Games, Learning and Child Development in Bluey
Words Steven Aoun
Critical Views
70 articles
Roles to Play: Games, Learning and Child Development in Bluey
Poetry in Pieces: The Carnal and the Divine in Michael Lee’s The Mystical Rose
Words Adrian Martin
In Hot Pursuit: The Spirit of Alfred Hitchcock in Roadgames
Words Neil Sinyard
Finding the Rhythm: Ambition and Responsibility in Dingo
Words Cavan Gallagher
‘Mixed Up with Other People’s Dreams’: The Tangled Webs of Time in Summer
Words David Heslin
Hitting Home: Violence and Morality in Mr Inbetween
Words Steven Aoun
Flying the Coop: An Australian Coming of Age in Careful He Might Hear You
Words Jarrod Sturnieks
Alien in Australia: Science Fiction, Refugee Politics and The Stranger
Words Kit MacFarlane
Everyday Longing: City Life in Winter of Our Dreams and Lonely Hearts
Words Suzie Gibson, Dean Biron
At the Threshold of Revival: Australian Cinema and the Moment of 2000 Weeks
Words Peter Galvin
Outback Ethnography: Revisiting Fred Zinnemann’s The Sundowners
Words Neil Sinyard
‘The Show Must Go On’: Transgression and the Carnivalesque in Moulin Rouge!
Words Adolfo Aranjuez
Skippy the Bush Kangaroo Revisited: Tony Bonner and Ken James on an Iconic Australian TV Show
Words Adrian Schober
Love Without Limits: Disability, Illness and Romance in Standing Up for Sunny and Cerulean Blue
Words Alistair Baldwin
Spectres of the Past: Necropolitics and Colonial Trauma in Dark Place
Words Tristen Harwood
Legacy of a Law-breaker: Andrew Dominik’s Chopper Turns Twenty
Words Kenta McGrath
‘Let’s Go Shopping!’: Tony Barber and Philip Brady on the Golden Age of Australian Game Shows
Words Adrian Schober
Aural Reflections: Music, Self and Objectivity in Now Sound: Melbourne’s Listening and Her Sound, Her Story
Words Anthony Carew
Cinema for Claustrophiles: Virtual Reality at the Adelaide Film Festival and Beyond
Words Kit MacFarlane
Other Voices: Grace, Who Waits Alone and New Australian Underground Cinema
Words David Heslin
The Sense of Being Somewhere: Mind at War, Thalu: Dreamtime Is Now and the Rise of Virtual Reality
Words Kim Munro
Keeping Country Alive: Dreaming, Decolonisation and the Karrabing Film Collective
Words Gabrielle O'Brien
Cut-up Country: The Polemics of Presentation in [Censored] and Terror Nullius
Words Anthony Carew
Welcome to Television: Philip Brady on In Melbourne Tonight and Australia’s Early Variety Shows
Words Adrian Schober
Landscape of Silence: Sound Design in the Films of Warwick Thornton
Words Eloise Ross
Freaky Farmers and Sick Flocks: The Locals and Black Sheep
Words Louise Lavery
The Art of Meta-morphosis: Julian Rosefeldt’s Manifesto
Words Gabrielle O'Brien
Room to Move: Amiel Courtin-Wilson’s The Silent Eye
Words Nicholas Godfrey
Making Waves in a Man’s World: Jane Campion’s Women in The Piano and Top of the Lake: China Girl
Words Sam van Zweden
Hearts Adrift: Revisiting Gillian Armstrong’s High Tide
Words Suzie Gibson, Dean Biron
Her Brilliant Career: Gillian Armstrong on the Australian Screen Then and Now
Words Ella Donald
Sounding ‘Unstable Terrain’ in Peter Weir’s Picnic at Hanging Rock
Words Johnny Milner
Welcoming Intercourse: Luke Warm Sex and the Importance of Sexual Discourse
Words Greta Parry
The Eyes of a Child: Coming of Age in Whale Rider, Boy and Shopping
Words Jasmine Crittenden
Something in the Dark: The Tale of Ruby Rose and the Tasmanian Gothic
Words Emily Bullock
Skeletons in the Nation’s Cupboard: Warwick Thornton on Being an Aboriginal Artist
Words Thomas Redwood
Notes from the Underground: Guerrilla Filmmaking in Australia
Words Jack Sargeant
History, Feminism and Time: Gillian Armstrong’s Documentary Series
Words Belinda Smaill
I’m Not There: The Future of the Musical Biopic
Words Penny Spirou
‘It’s a Joke, Sir’: Chris Lilley’s comedy of character, performance and taboo
Words Lisa Bode