‘Permission to Operate Independently’: Upgrade and the Body-machines of Action Cinema
Words Mel Campbell
Issue No. 198
October 2018‘Permission to Operate Independently’: Upgrade and the Body-machines of Action Cinema
Fraternity Test: Watching Brothers’ Nest in the Shadow of Kenny
Words Dave Crewe
Landing Success: Luke Sparke and Carly and Carmel Imrie on Occupation
Words Oliver Pfeiffer
Getting a Second Opinion: Mairi Cameron on Truth and Trickery
Words Elizabeth Flux
Once upon a Time in the West: Suburbia and Identity in Jason Raftopoulos’ West of Sunshine
Words Glenn Dunks
Glacial Contemplations: The Meditative Films of Nuri Bilge Ceylan
Words Anthony Carew
Homeward Bound: The Perils of Duty and Palestinian Society in Annemarie Jacir’s Wajib
Words Dave Crewe
Unearthly Terror: The Unconventional Horror of Kiyoshi Kurosawa’s Foreboding
Words Emma Hough Hobbs
Peonies of Pyongyang: Women in North Korean Cinema
Words Julia Mayer
Lives Adrift: Julian Burnside and Judy Rymer on Border Politics
Words Anders Furze
Jumping Hurdles: Rehabilitation, Reconnection and Catherine Scott’s BackTrack Boys
Words Hanna Schenkel
For Richer or Poorer: Marriage, Market Economics and Olivia Martin-McGuire’s China Love
Words Lauren Carroll Harris
Power and the Personality: Ray Argall’s Midnight Oil: 1984
Words Cavan Gallagher
As Long as You Love Me: Jessica Leski’s I Used to Be Normal: A Boyband Fangirl Story
Words Sarah Ward
Cut-up Country: The Polemics of Presentation in [Censored] and Terror Nullius
Words Anthony Carew
Welcome to Television: Philip Brady on In Melbourne Tonight and Australia’s Early Variety Shows
Words Adrian Schober
Monkey Grip
Words Brian McFarlane
Obstacle Course: Increasing Women’s Participation in Australian Film and Television
Words Sally Storey
Surf’s Up: Watching Web Series
Words Rochelle Siemienowicz
Stan the Man with 1 Million Subscribers
Words Cameron Williams
The End of an Era as Lee Lin Chin Leaves SBS
Words Liz Giuffre