‘Permission to Operate Independently’: Upgrade and the Body-machines of Action Cinema Words Mel Campbell Australian and New Zealand Cinema
Fraternity Test: Watching Brothers’ Nest in the Shadow of Kenny Words Dave Crewe Australian and New Zealand Cinema
Landing Success: Luke Sparke and Carly and Carmel Imrie on Occupation Words Oliver Pfeiffer Australian and New Zealand Cinema
Getting a Second Opinion: Mairi Cameron on Truth and Trickery Words Elizabeth Flux Australian and New Zealand Cinema
Once upon a Time in the West: Suburbia and Identity in Jason Raftopoulos’ West of Sunshine Words Glenn Dunks Australian and New Zealand Cinema
Glacial Contemplations: The Meditative Films of Nuri Bilge Ceylan Words Anthony Carew Focus on Asia and the Middle East
Homeward Bound: The Perils of Duty and Palestinian Society in Annemarie Jacir’s Wajib Words Dave Crewe Focus on Asia and the Middle East
Unearthly Terror: The Unconventional Horror of Kiyoshi Kurosawa’s Foreboding Words Emma Hough Hobbs Focus on Asia and the Middle East
Peonies of Pyongyang: Women in North Korean Cinema Words Julia Mayer Focus on Asia and the Middle East
Jumping Hurdles: Rehabilitation, Reconnection and Catherine Scott’s BackTrack Boys Words Hanna Schenkel Documentary
For Richer or Poorer: Marriage, Market Economics and Olivia Martin-McGuire’s China Love Words Lauren Carroll Harris Documentary
As Long as You Love Me: Jessica Leski’s I Used to Be Normal: A Boyband Fangirl Story Words Sarah Ward Documentary
Cut-up Country: The Polemics of Presentation in [Censored] and Terror Nullius Words Anthony Carew Critical Views
Welcome to Television: Philip Brady on In Melbourne Tonight and Australia’s Early Variety Shows Words Adrian Schober Critical Views
Obstacle Course: Increasing Women’s Participation in Australian Film and Television Words Sally Storey Industry Perspectives