Seeing Through the Disguise: Leigh Whannell’s The Invisible Man Words Elizabeth Flux 03 August 2020 Australian and New Zealand CinemaIssue No. 205
Need for Speed: Risk and Reward in Dylan River’s Finke: There and Back Words Elizabeth Flux 04 May 2020 DocumentaryIssue No. 204
Everybody’s Still Kung-fu Fighting: Serge Ou’s Iron Fists and Kung Fu Kicks Words Elizabeth Flux 28 January 2020 DocumentaryIssue No. 203
A School of Fishers: Ms Fisher’s Modern Murder Mysteries and the Lineage of a Franchise Words Elizabeth Flux 05 August 2019 Beyond the Big ScreenIssue No. 201
Breaching Bounds: The Confronting Body in Miranda Nation’s Undertow Words Elizabeth Flux 06 May 2019 Australian and New Zealand CinemaIssue No. 200
Paint and Suffering: The Delicate Art of Acute Misfortune Words Elizabeth Flux 29 January 2019 Australian and New Zealand CinemaIssue No. 199
Getting a Second Opinion: Mairi Cameron on Truth and Trickery Words Elizabeth Flux 22 October 2018 Australian and New Zealand CinemaIssue No. 198
Burning Down the House: Winchester and the Truth About Ghosts Words Elizabeth Flux 06 August 2018 Australian and New Zealand CinemaIssue No. 197
Musical Chairs: Perspective and ‘Heavy’ Humour in Ben Elton’s Three Summers Words Elizabeth Flux 07 May 2018 Australian and New Zealand CinemaIssue No. 196
PACmentality: Luke Walker on American Politics and Observational Documentary Words Elizabeth Flux 23 October 2017 DocumentaryIssue No. 194
Horror and Gore, Honour and Glory: Hacksaw Ridge and the War Film Words Elizabeth Flux 07 August 2017 Australian and New Zealand CinemaIssue No. 193
Dream Sequence: Rosemary Myers’ Girl Asleep and Cinematic Coming of Age Words Elizabeth Flux 30 January 2017 Australian and New Zealand CinemaIssue No. 191
On the Right Trek: Taika Waititi’s Hunt for the Wilderpeople and New Zealand Film Words Elizabeth Flux 24 October 2016 Australian and New Zealand CinemaIssue No. 190