Issue No. 194
October 2017
Silent Scars: Seeking Restitution in Tori Garrett’s Don’t Tell
Live Performance: Acting and Adaptation in Alison Maclean’s The Rehearsal
Raising the Barre: Dance Academy on the Small and Silver Screen
Double Trouble: Alice Foulcher and Gregory Erdstein on That’s Not Me
Glitched Visions: Challenging Australian Cultural and Televisual Conventions
Perspective Shifts: Guilt and Grief in the ABC’s Seven Types of Ambiguity
Dinner Conversations: SBS’s The Chefs’ Line and Cultural Authenticity in Food Programming
Generic Interventions: Tropes and Topicality in the Films of Bong Joon-ho
Conflict in Representation: Hussein Hassan’s The Dark Wind and the Plight of the Yazidis
Past Refractions: Anocha Suwichakornpong’s By the Time It Gets Dark
Stark Lives, Stark Lens: Restlessness and Realism in Brillante Mendoza’s Ma’ Rosa
Untrustworthy Images, Disguised Fictions: Kitty Green’s Casting JonBenet
Forged by Fire: Food, Family and Culture in Matthew Salleh’s Barbecue
Darkness Calls: Robert Nugent’s Night Parrot Stories and Contemporary Documentary Making
Portrait of the Artist: Sue Clothier Discusses James Bogle’s Whiteley
PACmentality: Luke Walker on American Politics and Observational Documentary
Hearts Adrift: Revisiting Gillian Armstrong’s High Tide
Her Brilliant Career: Gillian Armstrong on the Australian Screen Then and Now
The Man from Snowy River
The Quota Quandary for Australian Television
Understanding Viral Video with Video Junkee 2017
Glass Half Full: Women in Games and the Code Breakers Exhibition
