Documentary
175 articles
Valley of Iniquity: Escaping Subjugation in Gloriavale
For the Record: Commemorating the Co-ops in John Hughes and Tom Zubrycki’s Senses of Cinema
‘Enter My House Justified’: Amiel Courtin-Wilson’s Man on Earth and Assisted Suicide on Screen
Unfolding Disaster: Reliving Black Summer in Eddie Martin’s Fire Front
Creation, Care and Country: Penelope McDonald on Audrey Napanangka
First Person Plural: Art and Provocation in Larissa Behrendt’s You Can Go Now
Precious Time: Family Life and Togetherness in Sari Braithwaite’s Because We Have Each Other
Starting Afresh: Trauma and Compassion in Lachlan McLeod’s Clean
Cathartic Moves: Competition and Community in Luke Cornish’s Keep Stepping
Life on Show: The Ethical Quandaries of Jason van Genderen’s Everybody’s Oma
The Past Flows into the Future: Kasimir Burgess’ Franklin
World Without a Map: The Flattening Perspective of Jennifer Peedom’s River
Mechanisms of Control: Yaara Bou Melhem on Unseen Skies
Stolen Lives: Confronting the Past in Allan Clarke’s The Bowraville Murders
Burnishing an Icon: Madeleine Martiniello on Palazzo di Cozzo
An Acquired Taste: Warwick Ross and Rob Coe on Blind Ambition
Lingering Notes: A Song Cycle Remembered in Philippa Bateman’s Wash My Soul in the River’s Flow
Rolling in the Deep: Jane Castle’s When the Camera Stopped Rolling
Singing into the Void: Dreams, Delusion and Fame in Matthew Walker’s I’m Wanita
Elusive Justice: Dean Gibson on Incarceration Nation and the Epidemic of Indigenous Imprisonment
Turning the Tables: Observing and Seeing in Chef Antonio’s Recipes for Revolution
Time After Time: Temporality and Transcendence in Joseph London’s The Beloved
Up in Smoke: Eva Orner on Burning and the Failure of Australian Climate Policy
Too Close to Home: Nuclear Nightmares in Jeff Daniels’ Television Event
Holding on to Hope: Love, Pain and Child Protection in Sascha Ettinger-Epstein’s The Department
Brief Candle: Jonathan Alley’s Love in Bright Landscapes: The Story of David McComb of The Triffids
Flame of Truth: Tiriki Onus and Alec Morgan on Ablaze
Long Way Home: Ben Lawrence and Gabriel Shipton on Ithaka and the Campaign to Free Julian Assange
Open Wound: Excavating Exploitation in Eddie Martin’s The Kids
Shared Suffering: Remembering the Tokyo Firebombing in Adrian Francis’ Paper City
Confession Space: Danny Cohen and Courtney Barnett on Anonymous Club
For Whom the Bell Tolls: Cathy Henkel and Sam Lara on Saying Goodbye in Laura’s Choice
Creativity in Confinement: Artistic Expression as Redemption in Alex Siddons’ The Art of Incarceration
One Final Bow: An Actor Reflects in Molly Reynolds’ My Name Is Gulpilil
A Light in the Dark: Nel Minchin on Firestarter – The Story of Bangarra
The View from the Shore: Healing Through Songline in Steven McGregor’s Looky Looky Here Comes Cooky
Hip-hop of a Different Hue: Cultural Appreciation and Identification in Oscar Kightley’s Dawn Raid
Australian Spirit: Love and Country Music in Kriv Stenders’ Slim and I
