Holding on to Hope: Love, Pain and Child Protection in Sascha Ettinger-Epstein’s The Department Words Hanna Schenkel 28 February 2022 DocumentaryIssue No. 211
All You Can Be: Self-actualisation, Self-acceptance and Disability in Paul Barakat’s Kairos Words Hanna Schenkel 19 October 2020 Australian and New Zealand CinemaIssue No. 206
Loved Back to Life: Hope, Community and Policy Failures in Life After the Oasis Words Hanna Schenkel 04 May 2020 DocumentaryIssue No. 204
The Lingering Melodies of Trauma: Ben Lawrence’s Hearts and Bones Words Hanna Schenkel 28 January 2020 Australian and New Zealand CinemaIssue No. 203
Soaring with Her Own Wings: Em Baker on Marriage, Movie-making and I Am No Bird Words Hanna Schenkel 28 October 2019 DocumentaryIssue No. 202
Advocacy Meets Analysis: Metro and Documentary Words Hanna Schenkel 06 May 2019 Special FeatureIssue No. 200
Stirring Up Spectres: Ben Lawrence’s Ghosthunter and the Documentarian’s Duty of Care Words Hanna Schenkel 29 January 2019 DocumentaryIssue No. 199
Jumping Hurdles: Rehabilitation, Reconnection and Catherine Scott’s BackTrack Boys Words Hanna Schenkel 22 October 2018 DocumentaryIssue No. 198
Obstructed Progress: Ai Weiwei’s Human Flow and the Global Refugee Crisis Words Hanna Schenkel 06 August 2018 DocumentaryIssue No. 197
Haunted by Questions Unanswered: Rosie Jones’ The Family Words Hanna Schenkel 30 January 2017 DocumentaryIssue No. 191
Clarifying the Past: Joshua Oppenheimer’s The Look of Silence Words Hanna Schenkel 19 October 2015 DocumentaryIssue No. 186