Film | Television | New Media

    • Australian and New Zealand Cinema
    • Beyond the Big Screen
    • Critical Views
    • Documentary
    • Focus on Asia and the Middle East
    • Industry Perspectives
    • International Cinema
    • The NFSA Restores Collection
    • Scope: Screen Industry Views
    • Screen Education
    • Media Education
    • Book Reviews
    • Special Feature
      • Spotlight on Genre Film
    • Editorial
    • Letters to the Editor
  • About
  • Issues
  • Subscribe
  • My Account
  • Log in
  • FAQs
  • Writers
  • Advertising
  • Contact

Issue No. 202

October 2019

Pantomime of Violence: Gender and Outrage in Mirrah Foulkes’ Judy & Punch

Words Anthony Carew

Australian and New Zealand Cinema

Poetry in Action: Racism and Resistance in Partho Sen-Gupta’s Slam

Words Stephen A Russell

Australian and New Zealand Cinema

Oceans Within Us: Eight Perspectives on the Pacific in Vai

Words Amanda Barbour

Australian and New Zealand Cinema

Troubled Bubble: The Aspirational Milieu of Rachel Ward’s Palm Beach

Words Travis Johnson

Australian and New Zealand Cinema

Out of the Trenches: Kriv Stenders on Danger Close: The Battle of Long Tan and Revisiting History

Words Oliver Pfeiffer

Australian and New Zealand Cinema

Top Dogs: The ABC’s Bluey and Australian Children’s Animation

Words Cameron Williams

Beyond the Big Screen

Not Kidding Around: Australian–Asian Children’s Television Co-productions

Words Olivia Khoo

Beyond the Big Screen

Killing the Host: Class and Complacency in Bong Joon-ho’s Parasite

Words Laurence Barber

Focus on Asia and the Middle East

Chosen Land: Affection and Ambivalence in Nadav Lapid’s Films About Israel

Words Anthony Carew

Focus on Asia and the Middle East

Love over the Borderline: Tenderness and Transformation in Phuttiphong Aroonpheng’s Manta Ray

Words Nicholas Godfrey

Focus on Asia and the Middle East

Scars of Time: Guilt and Forgiveness in Wang Xiaoshuai’s So Long, My Son

Words Dave Crewe

Focus on Asia and the Middle East

Mother Tongue: She Who Must Be Obeyed Loved and Aboriginal Women’s Stories

Words Paola Balla

Documentary

Soaring with Her Own Wings: Em Baker on Marriage, Movie-making and I Am No Bird

Words Hanna Schenkel

Documentary

Into the Void: Stop the Boats and Refugee Activism on Screen

Words Matilda Dixon-Smith

Documentary

The Winding Road Home: Kaye Harrison on Displacement, Detention andd Sanctuary

Words Jasmine Crittenden

Documentary

Same Old Tune: Mythologisation and the Music Documentary

Words Glenn Dunks

Documentary

‘Let’s Go Shopping!’: Tony Barber and Philip Brady on the Golden Age of Australian Game Shows

Words Adrian Schober

Critical Views

Starstruck

Words Jaymes Durante

The NFSA Restores Collection

Fast and Furious Filmmaking: YouTube’s Prospects for Budding and Veteran Screen Content Producers

Words Guy Healy

Industry Perspectives

Funny Women on Demand: Australian Female Comedians on Screen

Words Angela Jones

Industry Perspectives

When Religion and the Screen Meet (and Clash)

Words Liz Giuffre

Scope: Screen Industry Views

Market Minesweeper: Surviving in the Videogames Industry

Words Dan Golding

Scope: Screen Industry Views

Mental-health Crisis in the Screen Industries

Words Rochelle Siemienowicz

Scope: Screen Industry Views

Contents

    Australian and New Zealand Cinema

  • Pantomime of Violence: Gender and Outrage in Mirrah Foulkes’ Judy & Punch
  • Poetry in Action: Racism and Resistance in Partho Sen-Gupta’s Slam
  • Oceans Within Us: Eight Perspectives on the Pacific in Vai
  • Troubled Bubble: The Aspirational Milieu of Rachel Ward’s Palm Beach
  • Out of the Trenches: Kriv Stenders on Danger Close: The Battle of Long Tan and Revisiting History
  • Beyond the Big Screen

  • Top Dogs: The ABC’s Bluey and Australian Children’s Animation
  • Not Kidding Around: Australian–Asian Children’s Television Co-productions
  • Focus on Asia and the Middle East

  • Killing the Host: Class and Complacency in Bong Joon-ho’s Parasite
  • Chosen Land: Affection and Ambivalence in Nadav Lapid’s Films About Israel
  • Love over the Borderline: Tenderness and Transformation in Phuttiphong Aroonpheng’s Manta Ray
  • Scars of Time: Guilt and Forgiveness in Wang Xiaoshuai’s So Long, My Son
  • Documentary

  • Mother Tongue: She Who Must Be Obeyed Loved and Aboriginal Women’s Stories
  • Soaring with Her Own Wings: Em Baker on Marriage, Movie-making and I Am No Bird
  • Into the Void: Stop the Boats and Refugee Activism on Screen
  • The Winding Road Home: Kaye Harrison on Displacement, Detention andd Sanctuary
  • Same Old Tune: Mythologisation and the Music Documentary
  • Critical Views

  • ‘Let’s Go Shopping!’: Tony Barber and Philip Brady on the Golden Age of Australian Game Shows
  • The NFSA Restores Collection

  • Starstruck
  • Industry Perspectives

  • Fast and Furious Filmmaking: YouTube’s Prospects for Budding and Veteran Screen Content Producers
  • Funny Women on Demand: Australian Female Comedians on Screen
  • Scope: Screen Industry Views

  • When Religion and the Screen Meet (and Clash)
  • Market Minesweeper: Surviving in the Videogames Industry
  • Mental-health Crisis in the Screen Industries

Film | Television | New Media

  • FAQs
  • Writers
  • Advertising
  • Contact

    Connect with Metro magazine

  • facebook
  • twitter
  • youtube
  • instagram
  • subscribe

A Good Energy Project by Studio Malt

Metro is proud to acknowledge the Traditional Owners of the land on which we live and work. We honour and respect their ongoing cultural and spiritual connection to this country. We pay our respects to elders past, present and emerging.

© Australian Teachers of Media Inc. (ATOM) 2021–2022

  • Privacy Policy
  • Terms

A Good Energy Project by Studio Malt