The Pelican Brief: The Shallow Reflections of Shawn Seet’s Storm Boy

Dark Dresses, Problematic Pleasures: Mobility and Nostalgia in Bruce Beresford’s Ladies in Black

Paint and Suffering: The Delicate Art of Acute Misfortune

On Song: Navigating the Past in Ben Hackworth’s Celeste

Redemption, Restoration, Reclamation: Benjamin Gilmour on Jirga

Different Ball Game: Damian Callinan on Sport, Community and The Merger

Trauma Tourism: The Complicated Comedy of Hannah Gadsby’s Nanette

Tough Chick: Bad Cops and Difficult Women in SBS’s Dead Lucky

Hard Pill to Swallow: Vitamania and the Science Behind Supplements

Communal Complicity: Family and Fairness in Hirokazu Koreeda’s Shoplifters and The Third Murder

Sibling Reverie: Growth and Interdependence in Mamoru Hosoda’s Mirai

Ashes of Time, Rivers of Return: Jia Zhang-Ke’s Ash Is Purest White

Heading for Deep Water: Interrogating Detention in Gabrielle Brady’s Island of the Hungry Ghosts

In Search of Sanctuary: Refugee Realities in Robyn Hughan’s Journey Beyond Fear

Howls from the Underground: Persecution, Protest Music and Travis Beard’s RocKabul

Stirring Up Spectres: Ben Lawrence’s Ghosthunter and the Documentarian’s Duty of Care

Giving Time: Richard Todd’s Dying to Live and Organ Donation

The Sense of Being Somewhere: Mind at War, Thalu: Dreamtime Is Now and the Rise of Virtual Reality

Keeping Country Alive: Dreaming, Decolonisation and the Karrabing Film Collective


Screen Forever Creche Is a Game Changer

Honey, I Hid the Kids! Caring for Professional Parents

Battling the Boss: Against Games-industry Exploitation

Strayan Sounds and Sights on the International Screen