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11 articles by Gabrielle O'Brien

Landscape of Rage: Men and Women in PS Vinothraj’s Pebbles

Words Gabrielle O'Brien

28 February 2022
Focus on Asia and the Middle EastIssue No. 211

Borrowed Time: The Life and Death of the Video Store

Words Gabrielle O'Brien

30 August 2021
Screen EducationIssue No. 209

Elusive Connections: Ritual and Reconstruction in Jayden Stevens’ A Family

Words Gabrielle O'Brien

25 January 2021
Australian and New Zealand CinemaIssue No. 207

Performance, Transgression and Transformation: Angie Black’s The Five Provocations

Words Gabrielle O'Brien

19 October 2020
Australian and New Zealand CinemaIssue No. 206

Smoke and Mirrors: Midi Z’s Nina Wu and the Cinema of Self-reflection

Words Gabrielle O'Brien

28 January 2020
Focus on Asia and the Middle EastIssue No. 203

Witches and Faggots, Dykes and Poofters

Words Gabrielle O'Brien

05 August 2019
The NFSA Restores CollectionIssue No. 201

Greener Pastures: Tradition and Modernity in Grace McKenzie’s In the Land of the Wolves

Words Gabrielle O'Brien

06 May 2019
DocumentaryIssue No. 200

Keeping Country Alive: Dreaming, Decolonisation and the Karrabing Film Collective

Words Gabrielle O'Brien

29 January 2019
Critical ViewsIssue No. 199

Representing Resistance: Ayse Toprak’s Mr Gay Syria and LGBTQIA+ Rights

Words Gabrielle O'Brien

06 August 2018
Focus on Asia and the Middle EastIssue No. 197

The Art of Meta-morphosis: Julian Rosefeldt’s Manifesto

Words Gabrielle O'Brien

07 May 2018
Critical ViewsIssue No. 196

Seeing Double: Cinematic Twins in Rabbit and That’s Not Me

Words Gabrielle O'Brien

29 January 2018
Spotlight on Genre FilmIssue No. 195

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