Landscape of Rage: Men and Women in PS Vinothraj’s Pebbles Words Gabrielle O'Brien 28 February 2022 Focus on Asia and the Middle EastIssue No. 211
Borrowed Time: The Life and Death of the Video Store Words Gabrielle O'Brien 30 August 2021 Screen EducationIssue No. 209
Elusive Connections: Ritual and Reconstruction in Jayden Stevens’ A Family Words Gabrielle O'Brien 25 January 2021 Australian and New Zealand CinemaIssue No. 207
Performance, Transgression and Transformation: Angie Black’s The Five Provocations Words Gabrielle O'Brien 19 October 2020 Australian and New Zealand CinemaIssue No. 206
Smoke and Mirrors: Midi Z’s Nina Wu and the Cinema of Self-reflection Words Gabrielle O'Brien 28 January 2020 Focus on Asia and the Middle EastIssue No. 203
Witches and Faggots, Dykes and Poofters Words Gabrielle O'Brien 05 August 2019 FreeThe NFSA Restores CollectionIssue No. 201
Greener Pastures: Tradition and Modernity in Grace McKenzie’s In the Land of the Wolves Words Gabrielle O'Brien 06 May 2019 DocumentaryIssue No. 200
Keeping Country Alive: Dreaming, Decolonisation and the Karrabing Film Collective Words Gabrielle O'Brien 29 January 2019 Critical ViewsIssue No. 199
Representing Resistance: Ayse Toprak’s Mr Gay Syria and LGBTQIA+ Rights Words Gabrielle O'Brien 06 August 2018 Focus on Asia and the Middle EastIssue No. 197
The Art of Meta-morphosis: Julian Rosefeldt’s Manifesto Words Gabrielle O'Brien 07 May 2018 Critical ViewsIssue No. 196
Seeing Double: Cinematic Twins in Rabbit and That’s Not Me Words Gabrielle O'Brien 29 January 2018 Spotlight on Genre FilmIssue No. 195
Witness Born: Joe Cinque’s Consolation, Adaptation and Embodied Film Theory Words Gabrielle O'Brien 08 May 2017 Australian and New Zealand CinemaIssue No. 192
Winter of Discontent: The Pensive Theatre of Nuri Bilge Ceylan’s Winter Sleep Words Gabrielle O'Brien 20 April 2015 Focus on Asia and the Middle EastIssue No. 184