Issue No. 195
January 2018
Outback Outbreak: Yolanda Ramke and Ben Howling on Cargo and the Zombie Film
Blood Feuds and Bloodlands: Steven Kastrissios’ Albanian Horror-Fantasy
Boys Will Be Boys: Horror Tropes and Male Privilege in Chris Peckover’s Better Watch Out
Seeing Double: Cinematic Twins in Rabbit and That’s Not Me
Sci-fi on a Shoestring: Ché Baker and Sarah Mason on Blue World Order
Into the Light: Alex Proyas’ Dark City Two Decades On
Lost in the Woods: Greg McLean’s Jungle
Swapping Goats for Snakes: Australian Survivor, Narrative Complexity and Audience Expectations
Scars of Empathy: The ABC’s Pulse and the Medical Drama
Making Peace: Resignation, the Road Movie and Kirsten Tan’s Pop Aye
Inside and Out: Afghan Life in Shahrbanoo Sadat’s Wolf and Sheep
Flight of Fancy: Falconry, Affluence and Yuri Ancarani’s The Challenge
Songlines on Screen: Naina Sen’s The Song Keepers and Aboriginal Histories
A Story of Man and Country: Sera Davies’ Namatjira Project
Ghost House: Rewriting the ‘Haunted’ Narrative in Florian Habicht’s Spookers
Life Laid Bare: Sascha Ettinger Epstein’s The Pink House and the Sex Industry
Band Apart: Music, Memory and Kriv Stenders’ The Go-Betweens: Right Here
The Picture Show Man
The Streaming Arms Race: Original VOD Programming in Australia
Picture Partnership: Co-productions and the Australian Screen Industries
Critical Failure: The ABC’s Screen Time
Artistic Crisis: The 2017 Melbourne International Film Festival Critics Campus
The Return of Countdown: Remembering Australia’s Musical Diversity
