Issue No. 203
January 2020
Dawn of the Dad: Masculinity and Maturity in Abe Forsythe’s Little Monsters
Artificial Inheritance: Robotics and Responsibility in Grant Sputore’s I Am Mother
The Lingering Melodies of Trauma: Ben Lawrence’s Hearts and Bones
The Price of Fish: Slavery and Social Responsibility in Rodd Rathjen’s Buoyancy
Hell Hath No Fury: Tony D’Aquino, Andrew Marriott and Lisa Shaunessy on The Furies
Twisted Sisters: Invention and Isolation in Foxtel’s Lambs of God
Watch List: Melbourne WebFest 2019 and the Continued Rise of Web Series
Smoke and Mirrors: Midi Z’s Nina Wu and the Cinema of Self-reflection
Finding Home in a Daydream: Shahrbanoo Sadat’s The Orphanage and Afghan Storytelling
Birth Control: Nanfu Wang and Jialing Zhang’s One Child Nation
A Race to the Goal: Adam Goodes’ Story in The Final Quarter and The Australian Dream
History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili
Sexual Healing: Feminism, Porn and Self-acceptance in Morgana
Ghost in the Algorithm: Justin Krook’s Machine and Advancing AI
Everybody’s Still Kung-fu Fighting: Serge Ou’s Iron Fists and Kung Fu Kicks
Spectres of the Past: Necropolitics and Colonial Trauma in Dark Place
Legacy of a Law-breaker: Andrew Dominik’s Chopper Turns Twenty
Sons of Matthew
Short Films Given Short Shrift?
Cooperative Gameplay: Making Videogames More Sustainable
