The Pen Is Mightier than the Gun: Justin Kurzel’s True History of the Kelly Gang and Punk Historiography

Lust in Space: Teenage Queerness and Connection in Samuel van Grinsven’s Sequin in a Blue Room

Dawn of the Dad: Masculinity and Maturity in Abe Forsythe’s Little Monsters

Artificial Inheritance: Robotics and Responsibility in Grant Sputore’s I Am Mother

The Lingering Melodies of Trauma: Ben Lawrence’s Hearts and Bones

The Price of Fish: Slavery and Social Responsibility in Rodd Rathjen’s Buoyancy

Hell Hath No Fury: Tony D’Aquino, Andrew Marriott and Lisa Shaunessy on The Furies

Twisted Sisters: Invention and Isolation in Foxtel’s Lambs of God

Watch List: Melbourne WebFest 2019 and the Continued Rise of Web Series

Smoke and Mirrors: Midi Z’s Nina Wu and the Cinema of Self-reflection

Finding Home in a Daydream: Shahrbanoo Sadat’s The Orphanage and Afghan Storytelling

Birth Control: Nanfu Wang and Jialing Zhang’s One Child Nation

A Race to the Goal: Adam Goodes’ Story in The Final Quarter and The Australian Dream

History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili

Sexual Healing: Feminism, Porn and Self-acceptance in Morgana

Ghost in the Algorithm: Justin Krook’s Machine and Advancing AI

Everybody’s Still Kung-fu Fighting: Serge Ou’s Iron Fists and Kung Fu Kicks

Spectres of the Past: Necropolitics and Colonial Trauma in Dark Place

Legacy of a Law-breaker: Andrew Dominik’s Chopper Turns Twenty

Sons of Matthew

Short Films Given Short Shrift?

Cooperative Gameplay: Making Videogames More Sustainable

Content: Giving Digital Storytelling a New Orientation