Issue No. 203

Lust in Space: Teenage Queerness and Connection in Samuel van Grinsven’s Sequin in a Blue Room

Words Laurence Barber

Dawn of the Dad: Masculinity and Maturity in Abe Forsythe’s Little Monsters

Words Mel Campbell

Artificial Inheritance: Robotics and Responsibility in Grant Sputore’s I Am Mother

Words Dave Crewe

The Lingering Melodies of Trauma: Ben Lawrence’s Hearts and Bones

Words Hanna Schenkel

The Price of Fish: Slavery and Social Responsibility in Rodd Rathjen’s Buoyancy

Words Stephen A Russell

Hell Hath No Fury: Tony D’Aquino, Andrew Marriott and Lisa Shaunessy on The Furies

Words Oliver Pfeiffer

Twisted Sisters: Invention and Isolation in Foxtel’s Lambs of God

Words Glenn Dunks

Watch List: Melbourne WebFest 2019 and the Continued Rise of Web Series

Words Kim Munro

Smoke and Mirrors: Midi Z’s Nina Wu and the Cinema of Self-reflection

Words Gabrielle O'Brien

Finding Home in a Daydream: Shahrbanoo Sadat’s The Orphanage and Afghan Storytelling

Words Anthony Carew

Birth Control: Nanfu Wang and Jialing Zhang’s One Child Nation

Words Debbie Zhou

A Race to the Goal: Adam Goodes’ Story in The Final Quarter and The Australian Dream

Words Travis Johnson

History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili

Words Jessica Friedmann

Sexual Healing: Feminism, Porn and Self-acceptance in Morgana

Words Rochelle Siemienowicz

Ghost in the Algorithm: Justin Krook’s Machine and Advancing AI

Words Anthony Carew

Everybody’s Still Kung-fu Fighting: Serge Ou’s Iron Fists and Kung Fu Kicks

Words Elizabeth Flux

Spectres of the Past: Necropolitics and Colonial Trauma in Dark Place

Words Tristen Harwood

Legacy of a Law-breaker: Andrew Dominik’s Chopper Turns Twenty

Words Kenta McGrath

Sons of Matthew

Words Barnaby Smith

Short Films Given Short Shrift?

Words Rochelle Siemienowicz

Cooperative Gameplay: Making Videogames More Sustainable

Words Dan Golding

Content: Giving Digital Storytelling a New Orientation

Words Liz Giuffre