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Issue No. 203

January 2020

The Pen Is Mightier than the Gun: Justin Kurzel’s True History of the Kelly Gang and Punk Historiography

Words Alexandra Heller-Nicholas

Australian and New Zealand Cinema

Lust in Space: Teenage Queerness and Connection in Samuel van Grinsven’s Sequin in a Blue Room

Words Laurence Barber

Australian and New Zealand Cinema

Dawn of the Dad: Masculinity and Maturity in Abe Forsythe’s Little Monsters

Words Mel Campbell

Australian and New Zealand Cinema

Artificial Inheritance: Robotics and Responsibility in Grant Sputore’s I Am Mother

Words Dave Crewe

Australian and New Zealand Cinema

The Lingering Melodies of Trauma: Ben Lawrence’s Hearts and Bones

Words Hanna Schenkel

Australian and New Zealand Cinema

The Price of Fish: Slavery and Social Responsibility in Rodd Rathjen’s Buoyancy

Words Stephen A Russell

Australian and New Zealand Cinema

Hell Hath No Fury: Tony D’Aquino, Andrew Marriott and Lisa Shaunessy on The Furies

Words Oliver Pfeiffer

Australian and New Zealand Cinema

Twisted Sisters: Invention and Isolation in Foxtel’s Lambs of God

Words Glenn Dunks

Beyond the Big Screen

Watch List: Melbourne WebFest 2019 and the Continued Rise of Web Series

Words Kim Munro

Beyond the Big Screen

Smoke and Mirrors: Midi Z’s Nina Wu and the Cinema of Self-reflection

Words Gabrielle O'Brien

Focus on Asia and the Middle East

Finding Home in a Daydream: Shahrbanoo Sadat’s The Orphanage and Afghan Storytelling

Words Anthony Carew

Focus on Asia and the Middle East

Birth Control: Nanfu Wang and Jialing Zhang’s One Child Nation

Words Debbie Zhou

Focus on Asia and the Middle East

A Race to the Goal: Adam Goodes’ Story in The Final Quarter and The Australian Dream

Words Travis Johnson

Documentary

History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili

Words Jessica Friedmann

Documentary

Sexual Healing: Feminism, Porn and Self-acceptance in Morgana

Words Rochelle Siemienowicz

Documentary

Ghost in the Algorithm: Justin Krook’s Machine and Advancing AI

Words Anthony Carew

Documentary

Everybody’s Still Kung-fu Fighting: Serge Ou’s Iron Fists and Kung Fu Kicks

Words Elizabeth Flux

Documentary

Spectres of the Past: Necropolitics and Colonial Trauma in Dark Place

Words Tristen Harwood

Critical Views

Legacy of a Law-breaker: Andrew Dominik’s Chopper Turns Twenty

Words Kenta McGrath

Critical Views

Sons of Matthew

Words Barnaby Smith

The NFSA Restores Collection

Short Films Given Short Shrift?

Words Rochelle Siemienowicz

Scope: Screen Industry Views

Cooperative Gameplay: Making Videogames More Sustainable

Words Dan Golding

Scope: Screen Industry Views

Content: Giving Digital Storytelling a New Orientation

Words Liz Giuffre

Scope: Screen Industry Views

Contents

    Australian and New Zealand Cinema

  • The Pen Is Mightier than the Gun: Justin Kurzel’s True History of the Kelly Gang and Punk Historiography
  • Lust in Space: Teenage Queerness and Connection in Samuel van Grinsven’s Sequin in a Blue Room
  • Dawn of the Dad: Masculinity and Maturity in Abe Forsythe’s Little Monsters
  • Artificial Inheritance: Robotics and Responsibility in Grant Sputore’s I Am Mother
  • The Lingering Melodies of Trauma: Ben Lawrence’s Hearts and Bones
  • The Price of Fish: Slavery and Social Responsibility in Rodd Rathjen’s Buoyancy
  • Hell Hath No Fury: Tony D’Aquino, Andrew Marriott and Lisa Shaunessy on The Furies
  • Beyond the Big Screen

  • Twisted Sisters: Invention and Isolation in Foxtel’s Lambs of God
  • Watch List: Melbourne WebFest 2019 and the Continued Rise of Web Series
  • Focus on Asia and the Middle East

  • Smoke and Mirrors: Midi Z’s Nina Wu and the Cinema of Self-reflection
  • Finding Home in a Daydream: Shahrbanoo Sadat’s The Orphanage and Afghan Storytelling
  • Birth Control: Nanfu Wang and Jialing Zhang’s One Child Nation
  • Documentary

  • A Race to the Goal: Adam Goodes’ Story in The Final Quarter and The Australian Dream
  • History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili
  • Sexual Healing: Feminism, Porn and Self-acceptance in Morgana
  • Ghost in the Algorithm: Justin Krook’s Machine and Advancing AI
  • Everybody’s Still Kung-fu Fighting: Serge Ou’s Iron Fists and Kung Fu Kicks
  • Critical Views

  • Spectres of the Past: Necropolitics and Colonial Trauma in Dark Place
  • Legacy of a Law-breaker: Andrew Dominik’s Chopper Turns Twenty
  • The NFSA Restores Collection

  • Sons of Matthew
  • Scope: Screen Industry Views

  • Short Films Given Short Shrift?
  • Cooperative Gameplay: Making Videogames More Sustainable
  • Content: Giving Digital Storytelling a New Orientation

Film | Television | New Media

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