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Issue No. 209

August 2021

Caught on Camera: Surveillance and Abstraction in Jonathan Ogilvie’s Lone Wolf

Words Jake Wilson

Australian and New Zealand Cinema

Rays of Desire: Queer Time in Katie Found’s My First Summer

Words Louise Sheedy

Australian and New Zealand Cinema

Life on Fast Forward: Mortality and Regret in Josh Lawson’s Long Story Short

Words Travis Johnson

Australian and New Zealand Cinema

Hidden Forces: Childhood, Commerce and Cost in Granaz Moussavi’s When Pomegranates Howl

Words Kit MacFarlane

Australian and New Zealand Cinema

Fragmented Feelings: Matthew Victor Pastor’s The Neon Across the Ocean

Words Nicholas Godfrey

Australian and New Zealand Cinema

Swimming Through Time: Sally Aitken on Playing with Sharks: The Valerie Taylor Story

Words Oliver Pfeiffer

Australian and New Zealand Cinema

Breaking the Waves: Defeating Discrimination in Christopher Nelius’ Girls Can’t Surf

Words Greta Parry

Australian and New Zealand Cinema

For Whom the Bell Tolls: Cathy Henkel and Sam Lara on Saying Goodbye in Laura’s Choice

Words Stephen A Russell

Documentary

Creativity in Confinement: Artistic Expression as Redemption in Alex Siddons’ The Art of Incarceration

Words Rebekah Brammer

Documentary

One Final Bow: An Actor Reflects in Molly Reynolds’ My Name Is Gulpilil

Words Kath Dooley

Documentary

Flies on the Locker-room Walls: The Managed Candour of Making Their Mark

Words Kenta McGrath

Beyond the Big Screen

Women on the Verge: Haifaa Al Mansour’s The Perfect Candidate

Words Anthony Carew

Focus on Asia and the Middle East

Fragments and Textures: Memory and the City in Zheng Lu Xinyuan’s The Cloud in Her Room

Words Danica van de Velde

Focus on Asia and the Middle East

Cinema Science: Deconstructing the Machinery of the Mad Max Films

Words Dave Crewe

Screen Education

Trapped in the Web: Untangling The Social Dilemma

Words Nadine Whitney

Screen Education

Borrowed Time: The Life and Death of the Video Store

Words Gabrielle O'Brien

Screen Education

Documenting the Self: Art, Celebrity and Storytelling in 20,000 Days on Earth

Words Anthony Carew

Screen Education

At the Threshold of Revival: Australian Cinema and the Moment of 2000 Weeks

Words Peter Galvin

Critical Views

The Sentimental Bloke

Words Barnaby Smith

The NFSA Restores Collection

Out of the Frying Pan: Screen Australia and the Producer Offset

Words Glenda Hambly

Industry Perspectives

After the Lockdowns, Is TV Still Reminding Us of What We Needed?

Words Liz Giuffre

Scope: Screen Industry Views

Australia Unfiltered: Local Shows Get Their Moment in the Sun

Words Cameron Williams

Scope: Screen Industry Views

Hitting the Ceiling: Barriers to Growth in the Australian Games Industry

Words April Tyack

Scope: Screen Industry Views

Contents

    Australian and New Zealand Cinema

  • Caught on Camera: Surveillance and Abstraction in Jonathan Ogilvie’s Lone Wolf
  • Rays of Desire: Queer Time in Katie Found’s My First Summer
  • Life on Fast Forward: Mortality and Regret in Josh Lawson’s Long Story Short
  • Hidden Forces: Childhood, Commerce and Cost in Granaz Moussavi’s When Pomegranates Howl
  • Fragmented Feelings: Matthew Victor Pastor’s The Neon Across the Ocean
  • Swimming Through Time: Sally Aitken on Playing with Sharks: The Valerie Taylor Story
  • Breaking the Waves: Defeating Discrimination in Christopher Nelius’ Girls Can’t Surf
  • Documentary

  • For Whom the Bell Tolls: Cathy Henkel and Sam Lara on Saying Goodbye in Laura’s Choice
  • Creativity in Confinement: Artistic Expression as Redemption in Alex Siddons’ The Art of Incarceration
  • One Final Bow: An Actor Reflects in Molly Reynolds’ My Name Is Gulpilil
  • Beyond the Big Screen

  • Flies on the Locker-room Walls: The Managed Candour of Making Their Mark
  • Focus on Asia and the Middle East

  • Women on the Verge: Haifaa Al Mansour’s The Perfect Candidate
  • Fragments and Textures: Memory and the City in Zheng Lu Xinyuan’s The Cloud in Her Room
  • Screen Education

  • Cinema Science: Deconstructing the Machinery of the Mad Max Films
  • Trapped in the Web: Untangling The Social Dilemma
  • Borrowed Time: The Life and Death of the Video Store
  • Documenting the Self: Art, Celebrity and Storytelling in 20,000 Days on Earth
  • Critical Views

  • At the Threshold of Revival: Australian Cinema and the Moment of 2000 Weeks
  • The NFSA Restores Collection

  • The Sentimental Bloke
  • Industry Perspectives

  • Out of the Frying Pan: Screen Australia and the Producer Offset
  • Scope: Screen Industry Views

  • After the Lockdowns, Is TV Still Reminding Us of What We Needed?
  • Australia Unfiltered: Local Shows Get Their Moment in the Sun
  • Hitting the Ceiling: Barriers to Growth in the Australian Games Industry

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