Issue No. 209
August 2021
Life on Fast Forward: Mortality and Regret in Josh Lawson’s Long Story Short
Hidden Forces: Childhood, Commerce and Cost in Granaz Moussavi’s When Pomegranates Howl
Fragmented Feelings: Matthew Victor Pastor’s The Neon Across the Ocean
Swimming Through Time: Sally Aitken on Playing with Sharks: The Valerie Taylor Story
Breaking the Waves: Defeating Discrimination in Christopher Nelius’ Girls Can’t Surf
For Whom the Bell Tolls: Cathy Henkel and Sam Lara on Saying Goodbye in Laura’s Choice
Creativity in Confinement: Artistic Expression as Redemption in Alex Siddons’ The Art of Incarceration
One Final Bow: An Actor Reflects in Molly Reynolds’ My Name Is Gulpilil
Flies on the Locker-room Walls: The Managed Candour of Making Their Mark
Women on the Verge: Haifaa Al Mansour’s The Perfect Candidate
Fragments and Textures: Memory and the City in Zheng Lu Xinyuan’s The Cloud in Her Room
Cinema Science: Deconstructing the Machinery of the Mad Max Films
Trapped in the Web: Untangling The Social Dilemma
Borrowed Time: The Life and Death of the Video Store
Documenting the Self: Art, Celebrity and Storytelling in 20,000 Days on Earth
At the Threshold of Revival: Australian Cinema and the Moment of 2000 Weeks
The Sentimental Bloke
Out of the Frying Pan: Screen Australia and the Producer Offset
After the Lockdowns, Is TV Still Reminding Us of What We Needed?
Australia Unfiltered: Local Shows Get Their Moment in the Sun
