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Issue No. 211

February 2022

Journey into Darkness: Justin Kurzel and Shaun Grant on Nitram

Words Anthony Carew

Australian and New Zealand Cinema

Pack of Lies: Masquerades of Masculinity in Jane Campion’s The Power of the Dog

Words Adolfo Aranjuez

Australian and New Zealand Cinema

Searching for Home: Ainsley Gardiner and Briar Grace-Smith’s Cousins

Words Danica van de Velde

Australian and New Zealand Cinema

The Eye of the Storm: Gender and Generational Change in Aaron Wilson’s Little Tornadoes

Words Annika Morling

Australian and New Zealand Cinema

Up in Smoke: Eva Orner on Burning and the Failure of Australian Climate Policy

Words Stephen A Russell

Documentary

Too Close to Home: Nuclear Nightmares in Jeff Daniels’ Television Event

Words Eileen Jones

Documentary

Holding on to Hope: Love, Pain and Child Protection in Sascha Ettinger-Epstein’s The Department

Words Hanna Schenkel

Documentary

Brief Candle: Jonathan Alley’s Love in Bright Landscapes: The Story of David McComb of The Triffids

Words Barnaby Smith

Documentary

It’s a Woman’s World: Essentialism and Wellness Culture in Creamerie

Words Travis Johnson

Beyond the Big Screen

Every Minute Counts: TikTok Comes of Age in Scattered

Words Kim Munro

Beyond the Big Screen

Landscape of Rage: Men and Women in PS Vinothraj’s Pebbles

Words Gabrielle O'Brien

Focus on Asia and the Middle East

Performing Truth: The Films of Ryūsuke Hamaguchi

Words Anthony Carew

Focus on Asia and the Middle East

The Rules of the Game: Squid Game as Social Allegory

Words Steven Aoun

Screen Education

Hard Times and Ordinary Lives: Warehouse Work on the Big Screen

Words Susan Bye

Screen Education

Frozen in Time: Puberty Blues Forty Years On

Words Guy Webster

Screen Education

Cinema Science: Animal Activities in Babe

Words Dave Crewe

Screen Education

Alien in Australia: Science Fiction, Refugee Politics and The Stranger

Words Kit MacFarlane

Critical Views

Floating Life

Words Kenta McGrath

The NFSA Restores Collection

How COVID-19 Has Changed the Televised Press Conference

Words Liz Giuffre

Scope: Screen Industry Views

Quest for Success: Box Knight and the Australian Videogame Industry

Words Cameron Williams

Scope: Screen Industry Views

A Taste for the Classics: A Cinema Chain Goes Retro

Words CJ Johnson

Scope: Screen Industry Views

Videogame Climate Strategy Requires More than Platitudes

Words April Tyack

Scope: Screen Industry Views

Contents

    Australian and New Zealand Cinema

  • Journey into Darkness: Justin Kurzel and Shaun Grant on Nitram
  • Pack of Lies: Masquerades of Masculinity in Jane Campion’s The Power of the Dog
  • Searching for Home: Ainsley Gardiner and Briar Grace-Smith’s Cousins
  • The Eye of the Storm: Gender and Generational Change in Aaron Wilson’s Little Tornadoes
  • Documentary

  • Up in Smoke: Eva Orner on Burning and the Failure of Australian Climate Policy
  • Too Close to Home: Nuclear Nightmares in Jeff Daniels’ Television Event
  • Holding on to Hope: Love, Pain and Child Protection in Sascha Ettinger-Epstein’s The Department
  • Brief Candle: Jonathan Alley’s Love in Bright Landscapes: The Story of David McComb of The Triffids
  • Beyond the Big Screen

  • It’s a Woman’s World: Essentialism and Wellness Culture in Creamerie
  • Every Minute Counts: TikTok Comes of Age in Scattered
  • Focus on Asia and the Middle East

  • Landscape of Rage: Men and Women in PS Vinothraj’s Pebbles
  • Performing Truth: The Films of Ryūsuke Hamaguchi
  • Screen Education

  • The Rules of the Game: Squid Game as Social Allegory
  • Hard Times and Ordinary Lives: Warehouse Work on the Big Screen
  • Frozen in Time: Puberty Blues Forty Years On
  • Cinema Science: Animal Activities in Babe
  • Critical Views

  • Alien in Australia: Science Fiction, Refugee Politics and The Stranger
  • The NFSA Restores Collection

  • Floating Life
  • Scope: Screen Industry Views

  • How COVID-19 Has Changed the Televised Press Conference
  • Quest for Success: Box Knight and the Australian Videogame Industry
  • A Taste for the Classics: A Cinema Chain Goes Retro
  • Videogame Climate Strategy Requires More than Platitudes

Film | Television | New Media

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