Issue No. 215
February 2023
Stolen Glances: Goran Stolevski on You Won’t Be Alone and Of an Age
Mirror Image: Thomas M Wright on The Stranger
Haunting Portraits: Intimacy and Identity in Alena Lodkina’s Petrol
‘What a Way to Make a Living’: Commodified Identity in Gracie Otto’s Seriously Red
On the Same Wavelength: Connection Through Radio in Platon Theodoris’ The Lonely Spirits Variety Hour
Suburban Fragments: Community and Bricolage in Tim Barretto’s Bassendream
Laughing on the Inside: Frank Lotito’s Wog Boys Forever and Multicultural Comedy
Marching Through Time: Māori History, Biographical Filmmaking and Whina
For the Record: Commemorating the Co-ops in John Hughes and Tom Zubrycki’s Senses of Cinema
‘Enter My House Justified’: Amiel Courtin-Wilson’s Man on Earth and Assisted Suicide on Screen
Unfolding Disaster: Reliving Black Summer in Eddie Martin’s Fire Front
Creation, Care and Country: Penelope McDonald on Audrey Napanangka
First Person Plural: Art and Provocation in Larissa Behrendt’s You Can Go Now
Open Investigations: Love and Obsession in Park Chan-wook’s Decision to Leave
Interrupted Youth: Forced Marriage in Hà Lệ Diễm’s Children of the Mist
Stoking the Fire: The Rousing Fictions of RRR
Animating History: The Holocaust and Its Echoes in Where Is Anne Frank
Cinema Science: Hitting New Speeds in Top Gun: Maverick
In Hot Pursuit: The Spirit of Alfred Hitchcock in Roadgames
Australia Daze
A New Era for Australian Arts Funding – or a False Dawn?
Disappearing Act: Free-to-air Shows Hit the Paywall
Back to the Pictures: Nostalgic Programming Fills Cinema Seats
