Free Country: Colonial Incursions in Stephen Maxwell Johnson’s High Ground

Mending Fences: Animosity and Adaptation in Jeremy Sims’ Rams

Hogan’s Heroes: Star Image in Dean Murphy’s The Very Excellent Mr. Dundee

Elusive Connections: Ritual and Reconstruction in Jayden Stevens’ A Family

Bathing in Genre: Homage and Experimentation in Parish Malfitano’s Bloodshot Heart

Reflections on a Shared History: Monica Zanetti on Ellie & Abbie (& Ellie’s Dead Aunt)

Mum’s Not the Word: Identity and Autonomy in Curtis Vowell’s Baby Done

All at Sea: Confronting Exclusion in Ili Baré’s The Leadership

Bodies on the Line: Sally Ingleton’s Wild Things and Australian Environmental Documentary

Making Change: The Australian Women’s Liberation Movement in Catherine Dwyer’s Brazen Hussies

Judge, Jury and Executioner: Voyeurism and Vigilantism in Alex Roberts and Daniel Leclair’s The Meddler

Declaration of War: George Gittoes on Violence and Community Resilience in White Light

Mother’s Apron Strings: Operation Buffalo and the Discomfort with Australian History

Uneasy Transition: The City Documented in Hong Kong Moments and Many Undulating Things

Cinema Science: Cracking the Code of The Matrix

Intimacy and Betrayal: A Study Guide on The Hunting

Cultural Healing: Rethinking Education in Maya Newell’s In My Blood It Runs

Bearing Witness: Black Lives Matter Protests as Media, and Mediated, Event


Islands in the Stream: Static Vision’s Remedy for Lockdown Loneliness

As Restrictions Ease, Cinemas Struggle On Alone

Moving Targets: Snapshots of Representation

Laughter in Lockdown: At Home Alone Together

Uneven Playing Field: How Digital Platforms Hurt Indie Games