Not Another Dying Girl: How Shannon Murphy’s Babyteeth Challenges a Weary Trope

The Political Is Personal: Helen Reddy and the Generational Politics of I Am Woman

Maternal Instinct: Genre, Grief and Mental Illness in Kim Farrant’s Angel of Mine

‘Are You Not Entertained?’: Maziar Lahooti’s Below and the Morality of Pay-per-view Violence

First, Do No Harm: The Treatment of Refugees in Against Our Oath

Loved Back to Life: Hope, Community and Policy Failures in Life After the Oasis

All Talked Out: Mental Health and Masculinity in Genevieve Bailey’s Happy Sad Man

Need for Speed: Risk and Reward in Dylan River’s Finke: There and Back

The Drive to Succeed: Outrunning the Legacy of Brabham

Critical Hits: Australian Independent Videogames Today

Envisioned Presences: Future Dreaming, Passenger and the Continuing Evolution of Virtual Reality

Poetry of the Night: The Noir Trappings Of Diao Yinan’s The Wild Goose Lake

Multiplayer Mode: Loss and Growing Up in Makoto Nagahisa’s We Are Little Zombies

Cinema Science: Using the Force of Star Wars

The Guitar Gently Weeps: Death and Memory in Coco

We Unhappy Few: Muddy Morality and Ugly Truth in David Michôd’s The King

Fighting the Future: Risk, Resistance and Rebellion in Stan’s The Commons

Love Without Limits: Disability, Illness and Romance in Standing Up for Sunny and Cerulean Blue

Howling III: The Marsupials

Storytelling in a Time of Evolution: Screen Forever 2019

Gone for Good: Putting a Full Stop on The Good Place

Endgame: Six Years of Reporting on the Australian Videogames Industry