Issue No. 204
May 2020
Maternal Instinct: Genre, Grief and Mental Illness in Kim Farrant’s Angel of Mine
‘Are You Not Entertained?’: Maziar Lahooti’s Below and the Morality of Pay-per-view Violence
First, Do No Harm: The Treatment of Refugees in Against Our Oath
Loved Back to Life: Hope, Community and Policy Failures in Life After the Oasis
All Talked Out: Mental Health and Masculinity in Genevieve Bailey’s Happy Sad Man
Need for Speed: Risk and Reward in Dylan River’s Finke: There and Back
The Drive to Succeed: Outrunning the Legacy of Brabham
Critical Hits: Australian Independent Videogames Today
Envisioned Presences: Future Dreaming, Passenger and the Continuing Evolution of Virtual Reality
Poetry of the Night: The Noir Trappings Of Diao Yinan’s The Wild Goose Lake
Multiplayer Mode: Loss and Growing Up in Makoto Nagahisa’s We Are Little Zombies
Cinema Science: Using the Force of Star Wars
The Guitar Gently Weeps: Death and Memory in Coco
We Unhappy Few: Muddy Morality and Ugly Truth in David Michôd’s The King
Fighting the Future: Risk, Resistance and Rebellion in Stan’s The Commons
Love Without Limits: Disability, Illness and Romance in Standing Up for Sunny and Cerulean Blue
Howling III: The Marsupials
Storytelling in a Time of Evolution: Screen Forever 2019
Gone for Good: Putting a Full Stop on The Good Place
