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Issue No. 204

May 2020

Not Another Dying Girl: How Shannon Murphy’s Babyteeth Challenges a Weary Trope

Words Jessica Kiang

Australian and New Zealand Cinema

The Political Is Personal: Helen Reddy and the Generational Politics of I Am Woman

Words Alexandra Heller-Nicholas

Australian and New Zealand Cinema

Maternal Instinct: Genre, Grief and Mental Illness in Kim Farrant’s Angel of Mine

Words Dave Crewe

Australian and New Zealand Cinema

‘Are You Not Entertained?’: Maziar Lahooti’s Below and the Morality of Pay-per-view Violence

Words Mel Campbell

Australian and New Zealand Cinema

First, Do No Harm: The Treatment of Refugees in Against Our Oath

Words Sarah Jacob

Documentary

Loved Back to Life: Hope, Community and Policy Failures in Life After the Oasis

Words Hanna Schenkel

Documentary

All Talked Out: Mental Health and Masculinity in Genevieve Bailey’s Happy Sad Man

Words Benjamin Riley

Documentary

Need for Speed: Risk and Reward in Dylan River’s Finke: There and Back

Words Elizabeth Flux

Documentary

The Drive to Succeed: Outrunning the Legacy of Brabham

Words Travis Johnson

Documentary

Critical Hits: Australian Independent Videogames Today

Words Dan Golding

Beyond the Big Screen

Envisioned Presences: Future Dreaming, Passenger and the Continuing Evolution of Virtual Reality

Words Kim Munro

Beyond the Big Screen

Poetry of the Night: The Noir Trappings Of Diao Yinan’s The Wild Goose Lake

Words Nicholas Godfrey

Focus on Asia and the Middle East

Multiplayer Mode: Loss and Growing Up in Makoto Nagahisa’s We Are Little Zombies

Words Anthony Carew

Focus on Asia and the Middle East

Cinema Science: Using the Force of Star Wars

Words Dave Crewe

Screen Education

The Guitar Gently Weeps: Death and Memory in Coco

Words Meg Roberts

Screen Education

We Unhappy Few: Muddy Morality and Ugly Truth in David Michôd’s The King

Words Anthony Carew

Screen Education

Fighting the Future: Risk, Resistance and Rebellion in Stan’s The Commons

Words Rebekah Brammer

Screen Education

Love Without Limits: Disability, Illness and Romance in Standing Up for Sunny and Cerulean Blue

Words Alistair Baldwin

Critical Views

Howling III: The Marsupials

Words Alexandra Heller-Nicholas

The NFSA Restores Collection

Storytelling in a Time of Evolution: Screen Forever 2019

Words Rochelle Siemienowicz

Scope: Screen Industry Views

Gone for Good: Putting a Full Stop on The Good Place

Words Liz Giuffre

Scope: Screen Industry Views

Endgame: Six Years of Reporting on the Australian Videogames Industry

Words Dan Golding

Scope: Screen Industry Views

Contents

    Australian and New Zealand Cinema

  • Not Another Dying Girl: How Shannon Murphy’s Babyteeth Challenges a Weary Trope
  • The Political Is Personal: Helen Reddy and the Generational Politics of I Am Woman
  • Maternal Instinct: Genre, Grief and Mental Illness in Kim Farrant’s Angel of Mine
  • ‘Are You Not Entertained?’: Maziar Lahooti’s Below and the Morality of Pay-per-view Violence
  • Documentary

  • First, Do No Harm: The Treatment of Refugees in Against Our Oath
  • Loved Back to Life: Hope, Community and Policy Failures in Life After the Oasis
  • All Talked Out: Mental Health and Masculinity in Genevieve Bailey’s Happy Sad Man
  • Need for Speed: Risk and Reward in Dylan River’s Finke: There and Back
  • The Drive to Succeed: Outrunning the Legacy of Brabham
  • Beyond the Big Screen

  • Critical Hits: Australian Independent Videogames Today
  • Envisioned Presences: Future Dreaming, Passenger and the Continuing Evolution of Virtual Reality
  • Focus on Asia and the Middle East

  • Poetry of the Night: The Noir Trappings Of Diao Yinan’s The Wild Goose Lake
  • Multiplayer Mode: Loss and Growing Up in Makoto Nagahisa’s We Are Little Zombies
  • Screen Education

  • Cinema Science: Using the Force of Star Wars
  • The Guitar Gently Weeps: Death and Memory in Coco
  • We Unhappy Few: Muddy Morality and Ugly Truth in David Michôd’s The King
  • Fighting the Future: Risk, Resistance and Rebellion in Stan’s The Commons
  • Critical Views

  • Love Without Limits: Disability, Illness and Romance in Standing Up for Sunny and Cerulean Blue
  • The NFSA Restores Collection

  • Howling III: The Marsupials
  • Scope: Screen Industry Views

  • Storytelling in a Time of Evolution: Screen Forever 2019
  • Gone for Good: Putting a Full Stop on The Good Place
  • Endgame: Six Years of Reporting on the Australian Videogames Industry

Film | Television | New Media

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