No Exit: Regional Australian Atrophy in Kyle Davis’ Dry Winter Words James Robert Douglas Australian and New Zealand Cinema
Enduring Loss: JJ Winlove’s June Again and Dementia on Screen Words David Michael Brown Australian and New Zealand Cinema
Embracing Identity: Gender-diverse Storytelling and Authenticity in Max Currie’s Rūrangi Words Glenn Dunks Australian and New Zealand Cinema
Gathering Clouds: Tension and Revelation in Ashley Harris’ How Do You Know Chris? Words Brian McFarlane Australian and New Zealand Cinema
Long Way Home: Ben Lawrence and Gabriel Shipton on Ithaka and the Campaign to Free Julian Assange Words David Heslin Documentary
Shared Suffering: Remembering the Tokyo Firebombing in Adrian Francis’ Paper City Words Kenta McGrath Documentary
Sacred Arts: Devotion and Disillusionment in Chaitanya Tamhane’s The Disciple Words Anthony Carew Focus on Asia and the Middle East
Reframing the Past: The Emotional Histories of Raoul Peck and Adam Curtis Words Steven Aoun Screen Education
Everyday Longing: City Life in Winter of Our Dreams and Lonely Hearts Words Suzie Gibson, Dean Biron Critical Views
Sliced and Diced: Enzo Tedeschi and Rachele Wiggins on Deadhouse Dark Words Mark David Ryan Industry Perspectives
Tell Me a Story: Narrative Structure in Australian Videogames Words April Tyack Scope: Screen Industry Views