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    • Critical Views
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Issue No. 205

August 2020

Capricious Childhood: Confronting Family Life in John Sheedy’s H Is for Happiness

Words Susan Bye

Australian and New Zealand Cinema

Australian Mythology: The Selective Celebration of Rachel Griffiths’ Ride Like a Girl

Words Debbie Zhou

Australian and New Zealand Cinema

A Familiar Track: Looking Under the Hood of Owen Trevor’s Go!

Words Travis Johnson

Australian and New Zealand Cinema

Seeing Through the Disguise: Leigh Whannell’s The Invisible Man

Words Elizabeth Flux

Australian and New Zealand Cinema

Shoot First, Ask Questions Later: Selina Miles’ Martha: A Picture Story

Words Stephen A Russell

Documentary

Unfinished Business: Fame, Mythology and Kasimir Burgess’ The Leunig Fragments

Words Nadine Whitney

Documentary

The Artist at Work: Catherine Hunter on Quilty: Painting the shadows

Words Oliver Pfeiffer

Documentary

Bodies in Tension: Movement and Friction in Rebecca Tansley’s The Heart Dances – The Journey of The Piano: the ballet

Words Jasmine Crittenden

Documentary

Remembering Resistance: Class Politics and Amanda King’s The Great Strike 1917

Words Barnaby Smith

Documentary

Both Your Houses: Representation and Power Relations in Total Control

Words Jake Wilson

Beyond the Big Screen

Playing a Part: Neurodiversity and Self-discovery in Sex and Death

Words Anthony Carew

Beyond the Big Screen

Dreams and Nightmares: The Animated Worlds of Satoshi Kon

Words Anthony Carew

Focus on Asia and the Middle East

Purposeful Provocation: Auteurism and Artistry in Takashi Miike’s First Love

Words Dave Crewe

Focus on Asia and the Middle East

Beyond Borders: Translation and Cultural Authenticity in Hirokazu Koreeda’s The Truth

Words Kenta McGrath

Focus on Asia and the Middle East

Cinema Science: Coronavirus Through the Lens of Contagion

Words Dave Crewe

Screen Education

Peer to Peer: Helping Teens Navigate Friendship in the Age of Social Media

Words Catherine Manning

Screen Education

A Stealthy Revolution: Tradition and Destabilisation in Ousmane Sembéne’s Moolaadé

Words Hamish Ford

Screen Education

Skippy the Bush Kangaroo Revisited: Tony Bonner and Ken James on an Iconic Australian TV Show

Words Adrian Schober

Critical Views

Black Robe

Words Terry Hayes

The NFSA Restores Collection

Kicking the Door Down: Lessons from the Women in Screen Workshop

Words Kate Robertson

Industry Perspectives

Our Industry on Life Support

Words Rochelle Siemienowicz

Scope: Screen Industry Views

All-access Pass? Film Festivals Go Viral

Words Adolfo Aranjuez

Scope: Screen Industry Views

When Television Loses Its (Studio) Audience

Words Liz Giuffre

Scope: Screen Industry Views

Breathing Space: Negotiating Game Making Communities of Practice

Words April Tyack

Scope: Screen Industry Views

Contents

    Australian and New Zealand Cinema

  • Capricious Childhood: Confronting Family Life in John Sheedy’s H Is for Happiness
  • Australian Mythology: The Selective Celebration of Rachel Griffiths’ Ride Like a Girl
  • A Familiar Track: Looking Under the Hood of Owen Trevor’s Go!
  • Seeing Through the Disguise: Leigh Whannell’s The Invisible Man
  • Documentary

  • Shoot First, Ask Questions Later: Selina Miles’ Martha: A Picture Story
  • Unfinished Business: Fame, Mythology and Kasimir Burgess’ The Leunig Fragments
  • The Artist at Work: Catherine Hunter on Quilty: Painting the shadows
  • Bodies in Tension: Movement and Friction in Rebecca Tansley’s The Heart Dances – The Journey of The Piano: the ballet
  • Remembering Resistance: Class Politics and Amanda King’s The Great Strike 1917
  • Beyond the Big Screen

  • Both Your Houses: Representation and Power Relations in Total Control
  • Playing a Part: Neurodiversity and Self-discovery in Sex and Death
  • Focus on Asia and the Middle East

  • Dreams and Nightmares: The Animated Worlds of Satoshi Kon
  • Purposeful Provocation: Auteurism and Artistry in Takashi Miike’s First Love
  • Beyond Borders: Translation and Cultural Authenticity in Hirokazu Koreeda’s The Truth
  • Screen Education

  • Cinema Science: Coronavirus Through the Lens of Contagion
  • Peer to Peer: Helping Teens Navigate Friendship in the Age of Social Media
  • A Stealthy Revolution: Tradition and Destabilisation in Ousmane Sembéne’s Moolaadé
  • Critical Views

  • Skippy the Bush Kangaroo Revisited: Tony Bonner and Ken James on an Iconic Australian TV Show
  • The NFSA Restores Collection

  • Black Robe
  • Industry Perspectives

  • Kicking the Door Down: Lessons from the Women in Screen Workshop
  • Scope: Screen Industry Views

  • Our Industry on Life Support
  • All-access Pass? Film Festivals Go Viral
  • When Television Loses Its (Studio) Audience
  • Breathing Space: Negotiating Game Making Communities of Practice

Film | Television | New Media

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