Issue No. 205
August 2020
A Familiar Track: Looking Under the Hood of Owen Trevor’s Go!
Seeing Through the Disguise: Leigh Whannell’s The Invisible Man
Shoot First, Ask Questions Later: Selina Miles’ Martha: A Picture Story
Unfinished Business: Fame, Mythology and Kasimir Burgess’ The Leunig Fragments
The Artist at Work: Catherine Hunter on Quilty: Painting the shadows
Bodies in Tension: Movement and Friction in Rebecca Tansley’s The Heart Dances – The Journey of The Piano: the ballet
Remembering Resistance: Class Politics and Amanda King’s The Great Strike 1917
Both Your Houses: Representation and Power Relations in Total Control
Playing a Part: Neurodiversity and Self-discovery in Sex and Death
Dreams and Nightmares: The Animated Worlds of Satoshi Kon
Purposeful Provocation: Auteurism and Artistry in Takashi Miike’s First Love
Beyond Borders: Translation and Cultural Authenticity in Hirokazu Koreeda’s The Truth
Cinema Science: Coronavirus Through the Lens of Contagion
Peer to Peer: Helping Teens Navigate Friendship in the Age of Social Media
A Stealthy Revolution: Tradition and Destabilisation in Ousmane Sembéne’s Moolaadé
Skippy the Bush Kangaroo Revisited: Tony Bonner and Ken James on an Iconic Australian TV Show
Black Robe
Kicking the Door Down: Lessons from the Women in Screen Workshop
Our Industry on Life Support
All-access Pass? Film Festivals Go Viral
When Television Loses Its (Studio) Audience
