Dry Fidelity: Robert Connolly’s The Dry and Big-screen Crime Adaptation
Words Mel Campbell
Issue No. 208
May 2021Dry Fidelity: Robert Connolly’s The Dry and Big-screen Crime Adaptation
Bird’s-eye View: Glendyn Ivin on Chance and Nature in Penguin Bloom
Words Jasmine Crittenden
Out of Breath: Timely Issues and Old Gender Tropes in Seth Larney’s 2067
Words Bronwyn Lovell
Shooting for the Stars: Luke Sparke’s Occupation: Rainfall and the Elusive Australian Blockbuster
Words David Michael Brown
Rocky Road: Running From Responsibility in Kurt Martin’s Moon Rock for Monday
Words Thomas Redwood
A Light in the Dark: Nel Minchin on Firestarter – The Story of Bangarra
Words Stephen A Russell
The View from the Shore: Healing Through Songline in Steven McGregor’s Looky Looky Here Comes Cooky
Words Rebekah Brammer
Hip-hop of a Different Hue: Cultural Appreciation and Identification in Oscar Kightley’s Dawn Raid
Words CJ Johnson
Australian Spirit: Love and Country Music in Kriv Stenders’ Slim and I
Words Barnaby Smith
Climate of Resignation: Unquiet Adolescence in Kathy Drayton’s The Weather Diaries
Words Travis Johnson
Muted Suffering: Myopia and Missed Opportunities in Stateless
Words Dave Crewe
Confinement and Camaraderie: Girls Behind Bars in Starless Dreams and Sunless Shadows
Words Anthony Carew
Artificial Rain: Control, Precision and Reality in Anthony Chen’s Wet Season
Words Kenta McGrath
Cinema Science: Aerodynamic Instruction and Paper Planes
Words Dave Crewe
Breaking the Spell: Nostalgia and New Directions in Earwig and the Witch
Words Anthony Carew
Time of Transition: First Day and Being Seen on Screen
Words Steven Aoun
Frozen Hearts: Coming of Age in Somersault
Words Jarrod Sturnieks
Outback Ethnography: Revisiting Fred Zinnemann’s The Sundowners
Words Neil Sinyard
Flirting
Words Danica van de Velde
Brave New Sector: An Industry Adapts
Words Rochelle Siemienowicz
Second Time Lucky? Australian Games Studios in Periods of Crisis
Words April Tyack
COVID-19 and the Future of Music Television
Words Liz Giuffre
A Response to ‘History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili’
Words Peter Hegedus