House of Horrors: Ageing and Loss in Natalie Erika James’ Relic
Words Josh Nelson
Issue No. 206
October 2020House of Horrors: Ageing and Loss in Natalie Erika James’ Relic
All You Can Be: Self-actualisation, Self-acceptance and Disability in Paul Barakat’s Kairos
Words Hanna Schenkel
Performance, Transgression and Transformation: Angie Black’s The Five Provocations
Words Gabrielle O'Brien
Aussie Mayhem: Judd Tilyard on Jesse O’Brien’s Two Heads Creek
Words Oliver Pfeiffer
Sounds of Loss: Time and Displacement in Allison Chhorn’s The Plastic House
Words Susan Bye
Forever Young: Music and Mystery in Sam Zubrycki’s Miguelito: Canto a Borinquen
Words Jasmine Crittenden
Singing from the Rooftops: Art, Ambition and Hometown Pride in Liselle Mei’s Love Opera
Words Rebekah Brammer
Making Visible: Out Here, Love Bites and LGBTQIA+ Documentary on the Small Screen
Words Kim Munro
Sweet, Sour and Spicy Country: Isolation as Performance in Warwick Thornton’s The Beach
Words Kenta McGrath
Signs and Wonders: Bringing The Luminaries to Screen
Words Anthony Carew
Hidden Idols and Clued-in Contenders: The Evolution of Australian Survivor
Words Dave Crewe
‘Rummaging Through the Rubble’: Creative Constraints in Prototype’s Rapid-response Care Package
Words Kim Munro
Laughter Through Tears: Palestine and Self-portraiture in the Films of Elia Suleiman
Words Anthony Carew
Indeterminate Past: Death, Regret and Time Travel in Mattie Do’s The Long Walk
Words Kate Robertson
Cinema Science: Picking Up the Frequencies of The Dish
Words Dave Crewe
Counterfeit Images: A History of Blackface on Australian Television
Words Stephen Vagg
Pandemic Paradox: Navigating Technology in the Time of COVID-19
Words Steven Aoun
‘The Show Must Go On’: Transgression and the Carnivalesque in Moulin Rouge!
Words Adolfo Aranjuez
The Cheaters
Words Ina Bertrand
The Winter of Our Discontent: Australian Cinema Under Lockdown
Words Rochelle Siemienowicz
Infectious Scrolling: Social Media, Mental Health and COVID-19
Words Adolfo Aranjuez
Belonging and Representation: The 2020 Freeplay Independent Games Festival
Words April Tyack
When Live Venues Become Screen Hubs: The Sydney Opera House Goes Online
Words Liz Giuffre