The Past Is a Foreign Country
Words Peter Tapp
Issue No. 200
May 2019The Past Is a Foreign Country
In the Beginning, There Was Film Appreciation
Words Kevin Adams
Metro in the 1970s
Words Peter Hamilton
A Brief History of Metro
Words Wayne Levy
The Bridge
Words Lisa French
Letter from the Editors
Words Greta Parry
Indigenous Representations on Screen and in Print
Words Greg Dolgopolov
Classic Takes: The NFSA Essays
Words Brian McFarlane
The Changing Face of Genre
Words Oliver Pfeiffer
Old Journal, New Media
Words Dan Golding
Sydney and the Small Screen
Words Liz Giuffre
Penning with Pride
Words Glenn Dunks
Advocacy Meets Analysis: Metro and Documentary
Words Hanna Schenkel
Three Paths to Asian Cinema
Words Mike Walsh
Melbourne Plays Itself
Words Anthony Carew
The Reel South: Adelaide and Metro
Words Nicholas Godfrey
Enabling a Screen Ecology
Words Andrew Pike
Terror, Tragedy, Truth: Anthony Maras’ Hotel Mumbai
Words Felicity Ford
Breaching Bounds: The Confronting Body in Miranda Nation’s Undertow
Words Elizabeth Flux
Bird’s-eye View: Childhood, Grief and Community in Emu Runner
Words Aimee Knight
Tearing Out a New Leaf: Book Week and the Unlikeable Protagonist
Words Mel Campbell
In the Crease: Self-referential Storytelling in Ted Wilson’s Under the Cover of Cloud
Words Leah Jing
The Parochial Fantastic: Australian Television Fantasy in Bloom and Tidelands
Words Travis Johnson
Crooked Histories: Underbelly and Australian Self-mythologisation
Words Dave Crewe
Quiet Rage: The Fire and Finesse of Lee Chang-dong’s Cinema
Words Anthony Carew
Darkness in the Spotlight: Binaries and Brutality in Zhang Yimou’s Shadow
Words Debbie Zhou
Film à la Mode: Juxtaposing East and West in Yellow Is Forbidden
Words Rebekah Brammer
The Cost of Country: Capital and Ownership in Undermined: Tales from the Kimberley
Words Rochelle Siemienowicz
Home on the Rocks: Blue Lucine on Displacement and The Eviction
Words Jasmine Crittenden
Age of Acceptance: Community and Inclusion in Sue Thomson’s The Coming Back Out Ball Movie
Words Stephen A Russell
Rhetoric and Reminiscence: Graham Freudenberg, Political Memory and The Scribe
Words Anders Furze
Greener Pastures: Tradition and Modernity in Grace McKenzie’s In the Land of the Wolves
Words Gabrielle O'Brien
Cinema for Claustrophiles: Virtual Reality at the Adelaide Film Festival and Beyond
Words Kit MacFarlane
Other Voices: Grace, Who Waits Alone and New Australian Underground Cinema
Words David Heslin
Proof
Words Rose Lucas