Dark Symbols: Violent Awakening in Del Kathryn Barton’s Blaze
Words Travis Johnson
739 Articles
Dark Symbols: Violent Awakening in Del Kathryn Barton’s Blaze
Playing Pretend: Shifting Roles in Sara Kern’s Moja Vesna
Words Annika Morling
A Little Less Conversation: The Convenient Omissions of Baz Luhrmann’s Elvis
Words Greta Parry
Spinning Tales: Myth and Magic in George Miller’s Three Thousand Years of Longing
Words Anthony Carew
Speaking in Riddles: Sex, Comedy and Subtitles in Armağan Ballantyne’s Nude Tuesday
Words Barnaby Smith
Taking Flight: Deception and Impostor Syndrome in Michelle Savill’s Millie Lies Low
Words Alexandra Heller-Nicholas
Bad Influence: Hannah Barlow and Kane Senes on Balancing Horror and Social Media Satire in Sissy
Words Stephen A Russell
Precious Time: Family Life and Togetherness in Sari Braithwaite’s Because We Have Each Other
Words Kath Dooley
Starting Afresh: Trauma and Compassion in Lachlan McLeod’s Clean
Words Rebekah Brammer
Cathartic Moves: Competition and Community in Luke Cornish’s Keep Stepping
Words Debbie Zhou
Life on Show: The Ethical Quandaries of Jason van Genderen’s Everybody’s Oma
Words Susan Bye
The Past Flows into the Future: Kasimir Burgess’ Franklin
Words Belinda Smaill
Out for Blood: Identity, Colonialism and Vampires in Firebite
Words Juliette Salom
No Place to Run: Inescapable Politics in Mounia Akl’s Costa Brava, Lebanon
Words Anthony Carew
Out of Water: Genre, Turkish Cinema and Emin Alper’s Burning Days
Words Glenn Dunks
Cinema Science: Into the Multiverse
Words Dave Crewe
Entangled Lives: Trauma, Attachment and Survival in My Brilliant Friend and Pachinko
Words Steven Aoun
Making a Scene: Telling Stories and Engaging Audiences on TikTok
Words Kristina Chapman
Finding the Rhythm: Ambition and Responsibility in Dingo
Words Cavan Gallagher
Strictly Ballroom
Words Brian McFarlane
Goodbye Neighbours; Hello Reality
Words Cameron Williams
What Have the ABC Archives Ever Done for Us?
Words Liz Giuffre
Bringing the World to Australia: Benjamin Zeccola on Palace Cinemas’ Global Festival Slate
Words CJ Johnson
Nurturing Development: VicScreen’s Indie Games Showcase
Words Nicholas Kennedy
‘New Rivers Spin Inside’: Women and Witchcraft in Goran Stolevski’s You Won’t Be Alone
Words Alexandra Heller-Nicholas
In the Driver’s Seat: The Relatable Radicalism of David Easteal’s The Plains
Words Glenn Dunks
Future Projection: The Emotional Landscape of Ivan Sen’s Loveland
Words Travis Johnson
Aspirational Delight: The Bland Fantasies of Renée Webster’s How to Please a Woman
Words Mel Campbell
Breaking Point: Grief and Rebirth in Matthew J Saville’s Juniper
Words Daniel Lammin
Staying Afloat: Tyler Atkins on Bosch & Rockit
Words Oliver Pfeiffer
‘Now You’re at Home’: The Power of Music in Macario De Souza’s 6 Festivals
Words Claire White
World Without a Map: The Flattening Perspective of Jennifer Peedom’s River
Words Kenta McGrath
Mechanisms of Control: Yaara Bou Melhem on Unseen Skies
Words Anthony Carew
Stolen Lives: Confronting the Past in Allan Clarke’s The Bowraville Murders
Words Jasmine Crittenden
Burnishing an Icon: Madeleine Martiniello on Palazzo di Cozzo
Words Stephen A Russell
An Acquired Taste: Warwick Ross and Rob Coe on Blind Ambition
Words Oliver Pfeiffer
Lingering Notes: A Song Cycle Remembered in Philippa Bateman’s Wash My Soul in the River’s Flow
Words Barnaby Smith
Adelaide Dreams Electric: Immersive Possibilities at Adelaide Fringe
Words Kim Munro
A God Is Born: Religion and the Absurd in Ritwik Pareek’s Dug Dug
Words Anthony Carew
Cinema Science: Cosmic Collisions and Disaster Denialism in Don’t Look Up
Words Dave Crewe