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551 Articles

Memory, Myth and Representation: Leah Purcell on The Drover’s Wife the Legend of Molly Johnson

Words Travis Johnson

30 May 2022
Australian and New Zealand CinemaIssue No. 212

Where the Heart Is: Shifting Frontiers in Here Out West

Words Barnaby Smith

30 May 2022
Australian and New Zealand CinemaIssue No. 212

Authentic Depictions: Julie Kalceff and Ana Kokkinos on Here Out West

Words Oliver Pfeiffer

30 May 2022
Australian and New Zealand CinemaIssue No. 212

All That Glitters: Anthony Hayes on Gold

Words Stephen A Russell

30 May 2022
Australian and New Zealand CinemaIssue No. 212

Unguided Tour: Drifting Life in Adam C Briggs’ Paris Funeral, 1972

Words Brian McFarlane

30 May 2022
Australian and New Zealand CinemaIssue No. 212

Rolling in the Deep: Jane Castle’s When the Camera Stopped Rolling

Words Glenn Dunks

30 May 2022
DocumentaryIssue No. 212

Singing into the Void: Dreams, Delusion and Fame in Matthew Walker’s I’m Wanita

Words Kath Dooley

30 May 2022
DocumentaryIssue No. 212

Elusive Justice: Dean Gibson on Incarceration Nation and the Epidemic of Indigenous Imprisonment

Words Jasmine Crittenden

30 May 2022
DocumentaryIssue No. 212

Turning the Tables: Observing and Seeing in Chef Antonio’s Recipes for Revolution

Words Rebekah Brammer

30 May 2022
DocumentaryIssue No. 212

Time After Time: Temporality and Transcendence in Joseph London’s The Beloved

Words Jake Wilson

30 May 2022
DocumentaryIssue No. 212

Mining the Past: Mythmaking and Identity in New Gold Mountain

Words Tahney Fosdike

30 May 2022
Beyond the Big ScreenIssue No. 212

Distant Memories: Grief and Childhood in Li Dongmei’s Mama

Words Debbie Zhou

30 May 2022
Focus on Asia and the Middle EastIssue No. 212

Subterranean Trauma: The Palestinian Experience in Darin J Sallam’s Farha

Words Anthony Carew

30 May 2022
Focus on Asia and the Middle EastIssue No. 212

‘Horrible Imaginings’: Playing with Form in The Tragedy of Macbeth

Words Annika Morling

30 May 2022
Screen EducationIssue No. 212

Cinema Science: Surveying the Landscape of Dune

Words Dave Crewe

30 May 2022
Screen EducationIssue No. 212

A Whole New World: Metaverse as Fairytale in Belle

Words Anthony Carew

30 May 2022
Screen EducationIssue No. 212

Objects of Desire: The Female Body and the Male Gaze in Sirens

Words Myke Bartlett

30 May 2022
Screen EducationIssue No. 212

Hitting Home: Violence and Morality in Mr Inbetween

Words Steven Aoun

30 May 2022
Critical ViewsIssue No. 212

Flying the Coop: An Australian Coming of Age in Careful He Might Hear You

Words Jarrod Sturnieks

30 May 2022
Critical ViewsIssue No. 212

Rocking the Foundations

Words Peter Galvin

30 May 2022
The NFSA Restores CollectionIssue No. 212

Digitising Our Heritage: Patrick McIntyre on the NFSA’s Funding Boost

Words CJ Johnson

30 May 2022
Scope: Screen Industry ViewsIssue No. 212

Shifting Sands: Kangaroo Beach and Australian Children’s TV

Words Cameron Williams

30 May 2022
Scope: Screen Industry ViewsIssue No. 212

Trash and Treasure: Mitch McTaggart on Reviewing Australia on the Small Screen

Words Liz Giuffre

30 May 2022
Scope: Screen Industry ViewsIssue No. 212

In Memory of April Tyack

Words Dan Golding

30 May 2022
Scope: Screen Industry ViewsIssue No. 212

Journey into Darkness: Justin Kurzel and Shaun Grant on Nitram

Words Anthony Carew

28 February 2022
Australian and New Zealand CinemaIssue No. 211

Pack of Lies: Masquerades of Masculinity in Jane Campion’s The Power of the Dog

Words Adolfo Aranjuez

28 February 2022
Australian and New Zealand CinemaIssue No. 211

Searching for Home: Ainsley Gardiner and Briar Grace-Smith’s Cousins

Words Danica van de Velde

28 February 2022
Australian and New Zealand CinemaIssue No. 211

The Eye of the Storm: Gender and Generational Change in Aaron Wilson’s Little Tornadoes

Words Annika Morling

28 February 2022
Australian and New Zealand CinemaIssue No. 211

Up in Smoke: Eva Orner on Burning and the Failure of Australian Climate Policy

Words Stephen A Russell

28 February 2022
DocumentaryIssue No. 211

Too Close to Home: Nuclear Nightmares in Jeff Daniels’ Television Event

Words Eileen Jones

28 February 2022
DocumentaryIssue No. 211

Holding on to Hope: Love, Pain and Child Protection in Sascha Ettinger-Epstein’s The Department

Words Hanna Schenkel

28 February 2022
DocumentaryIssue No. 211

Brief Candle: Jonathan Alley’s Love in Bright Landscapes: The Story of David McComb of The Triffids

Words Barnaby Smith

28 February 2022
DocumentaryIssue No. 211

It’s a Woman’s World: Essentialism and Wellness Culture in Creamerie

Words Travis Johnson

28 February 2022
Beyond the Big ScreenIssue No. 211

Every Minute Counts: TikTok Comes of Age in Scattered

Words Kim Munro

28 February 2022
Beyond the Big ScreenIssue No. 211

Landscape of Rage: Men and Women in PS Vinothraj’s Pebbles

Words Gabrielle O'Brien

28 February 2022
Focus on Asia and the Middle EastIssue No. 211

Performing Truth: The Films of Ryūsuke Hamaguchi

Words Anthony Carew

28 February 2022
Focus on Asia and the Middle EastIssue No. 211

The Rules of the Game: Squid Game as Social Allegory

Words Steven Aoun

28 February 2022
Screen EducationIssue No. 211

Hard Times and Ordinary Lives: Warehouse Work on the Big Screen

Words Susan Bye

28 February 2022
Screen EducationIssue No. 211

Frozen in Time: Puberty Blues Forty Years On

Words Guy Webster

28 February 2022
Screen EducationIssue No. 211

Cinema Science: Animal Activities in Babe

Words Dave Crewe

28 February 2022
Screen EducationIssue No. 211

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