Emotional Fidelity: True Crime and Misogyny in Ali Abbasi’s Holy Spider
Words Alexandra Heller-Nicholas
739 Articles
Emotional Fidelity: True Crime and Misogyny in Ali Abbasi’s Holy Spider
Solo Act: Music and the Man’s World in Janine Hosking’s Knowing the Score
Words Greta Parry
Radiance
Words Danica van de Velde
Roles to Play: Games, Learning and Child Development in Bluey
Words Steven Aoun
Poetry in Pieces: The Carnal and the Divine in Michael Lee’s The Mystical Rose
Words Adrian Martin
Crises of Faith: Christianity, Aboriginal Spirituality and Colonisation in Warwick Thornton’s The New Boy
Words Anthony Carew
In the Company of Men: Fictionalising Misogyny in Kitty Green’s The Royal Hotel
Words Grace Boschetti
Toys Are Us: Feminism, Consumerism and Becoming in Barbie
Words Mel Campbell
Cinema Science: Plumbing the Depths of Avatar: The Way of Water
Words Dave Crewe
The Mountain Will Not Move: Rolf de Heer’s The Survival of Kindness
Words Nicholas Godfrey
Looking to Spring: Fear and Regeneration in Noora Niasari’s Shayda
Words Annika Morling
To Hell with Elevation: Ritual, Power and Transformation in Talk to Me
Words Alexandra Heller-Nicholas
Valley of Iniquity: Escaping Subjugation in Gloriavale
Words Anthony Carew
Assembling the Debris: Russia 1985–1999: TraumaZone
Words Alex Gendler
The Myth of the Ocean, the Reality of Water: Robert Connolly and Radha Mitchell on Blueback
Words Travis Johnson
No Turning Back: Temporality, Displacement and Desire in Goran Stolevski’s Of an Age
Words Adolfo Aranjuez
Stolen Glances: Goran Stolevski on You Won’t Be Alone and Of an Age
Words Stephen A Russell
Mirror Image: Thomas M Wright on The Stranger
Words Anthony Carew
Haunting Portraits: Intimacy and Identity in Alena Lodkina’s Petrol
Words Danica van de Velde
‘What a Way to Make a Living’: Commodified Identity in Gracie Otto’s Seriously Red
Words Mel Campbell
On the Same Wavelength: Connection Through Radio in Platon Theodoris’ The Lonely Spirits Variety Hour
Words Annika Morling
Suburban Fragments: Community and Bricolage in Tim Barretto’s Bassendream
Words Kenta McGrath
Laughing on the Inside: Frank Lotito’s Wog Boys Forever and Multicultural Comedy
Words Andrew F Peirce
Marching Through Time: Māori History, Biographical Filmmaking and Whina
Words Rebecca Weeks
For the Record: Commemorating the Co-ops in John Hughes and Tom Zubrycki’s Senses of Cinema
Words Jake Wilson
‘Enter My House Justified’: Amiel Courtin-Wilson’s Man on Earth and Assisted Suicide on Screen
Words Adrian Martin
Unfolding Disaster: Reliving Black Summer in Eddie Martin’s Fire Front
Words Glenn Dunks
Creation, Care and Country: Penelope McDonald on Audrey Napanangka
Words Jasmine Crittenden
First Person Plural: Art and Provocation in Larissa Behrendt’s You Can Go Now
Words Thomas Redwood
Open Investigations: Love and Obsession in Park Chan-wook’s Decision to Leave
Words Anthony Carew
Interrupted Youth: Forced Marriage in Hà Lệ Diễm’s Children of the Mist
Words Laurence Barber
Stoking the Fire: The Rousing Fictions of RRR
Words Steven Aoun
Animating History: The Holocaust and Its Echoes in Where Is Anne Frank
Words Susan Bye
Cinema Science: Hitting New Speeds in Top Gun: Maverick
Words Dave Crewe
In Hot Pursuit: The Spirit of Alfred Hitchcock in Roadgames
Words Neil Sinyard
Australia Daze
Words Gabrielle O'Brien
A New Era for Australian Arts Funding – or a False Dawn?
Words Jasmine Crittenden
Disappearing Act: Free-to-air Shows Hit the Paywall
Words Cameron Williams
Back to the Pictures: Nostalgic Programming Fills Cinema Seats
Words CJ Johnson
From Podcast to Small Screen: How Sound Is Feeding Vision (and Vice Versa)
Words Liz Giuffre