728 Articles
Cinema Science: Plumbing the Depths of Avatar: The Way of Water
Looking to Spring: Fear and Regeneration in Noora Niasari’s Shayda
To Hell with Elevation: Ritual, Power and Transformation in Talk to Me
Valley of Iniquity: Escaping Subjugation in Gloriavale
Assembling the Debris: Russia 1985–1999: TraumaZone
The Myth of the Ocean, the Reality of Water: Robert Connolly and Radha Mitchell on Blueback
No Turning Back: Temporality, Displacement and Desire in Goran Stolevski’s Of an Age
Stolen Glances: Goran Stolevski on You Won’t Be Alone and Of an Age
Mirror Image: Thomas M Wright on The Stranger
Haunting Portraits: Intimacy and Identity in Alena Lodkina’s Petrol
‘What a Way to Make a Living’: Commodified Identity in Gracie Otto’s Seriously Red
On the Same Wavelength: Connection Through Radio in Platon Theodoris’ The Lonely Spirits Variety Hour
Suburban Fragments: Community and Bricolage in Tim Barretto’s Bassendream
Laughing on the Inside: Frank Lotito’s Wog Boys Forever and Multicultural Comedy
Marching Through Time: Māori History, Biographical Filmmaking and Whina
For the Record: Commemorating the Co-ops in John Hughes and Tom Zubrycki’s Senses of Cinema
‘Enter My House Justified’: Amiel Courtin-Wilson’s Man on Earth and Assisted Suicide on Screen
Unfolding Disaster: Reliving Black Summer in Eddie Martin’s Fire Front
Creation, Care and Country: Penelope McDonald on Audrey Napanangka
First Person Plural: Art and Provocation in Larissa Behrendt’s You Can Go Now
Open Investigations: Love and Obsession in Park Chan-wook’s Decision to Leave
Interrupted Youth: Forced Marriage in Hà Lệ Diễm’s Children of the Mist
Stoking the Fire: The Rousing Fictions of RRR
Animating History: The Holocaust and Its Echoes in Where Is Anne Frank
Cinema Science: Hitting New Speeds in Top Gun: Maverick
In Hot Pursuit: The Spirit of Alfred Hitchcock in Roadgames
Australia Daze
A New Era for Australian Arts Funding – or a False Dawn?
Disappearing Act: Free-to-air Shows Hit the Paywall
Back to the Pictures: Nostalgic Programming Fills Cinema Seats
From Podcast to Small Screen: How Sound Is Feeding Vision (and Vice Versa)
Dark Symbols: Violent Awakening in Del Kathryn Barton’s Blaze
Playing Pretend: Shifting Roles in Sara Kern’s Moja Vesna
A Little Less Conversation: The Convenient Omissions of Baz Luhrmann’s Elvis
Spinning Tales: Myth and Magic in George Miller’s Three Thousand Years of Longing
Speaking in Riddles: Sex, Comedy and Subtitles in Armağan Ballantyne’s Nude Tuesday
Taking Flight: Deception and Impostor Syndrome in Michelle Savill’s Millie Lies Low
Bad Influence: Hannah Barlow and Kane Senes on Balancing Horror and Social Media Satire in Sissy
