738 Articles
Hidden Forces: Childhood, Commerce and Cost in Granaz Moussavi’s When Pomegranates Howl
Fragmented Feelings: Matthew Victor Pastor’s The Neon Across the Ocean
Swimming Through Time: Sally Aitken on Playing with Sharks: The Valerie Taylor Story
Breaking the Waves: Defeating Discrimination in Christopher Nelius’ Girls Can’t Surf
For Whom the Bell Tolls: Cathy Henkel and Sam Lara on Saying Goodbye in Laura’s Choice
Creativity in Confinement: Artistic Expression as Redemption in Alex Siddons’ The Art of Incarceration
One Final Bow: An Actor Reflects in Molly Reynolds’ My Name Is Gulpilil
Flies on the Locker-room Walls: The Managed Candour of Making Their Mark
Women on the Verge: Haifaa Al Mansour’s The Perfect Candidate
Fragments and Textures: Memory and the City in Zheng Lu Xinyuan’s The Cloud in Her Room
Cinema Science: Deconstructing the Machinery of the Mad Max Films
Trapped in the Web: Untangling The Social Dilemma
Borrowed Time: The Life and Death of the Video Store
Documenting the Self: Art, Celebrity and Storytelling in 20,000 Days on Earth
At the Threshold of Revival: Australian Cinema and the Moment of 2000 Weeks
The Sentimental Bloke
Out of the Frying Pan: Screen Australia and the Producer Offset
After the Lockdowns, Is TV Still Reminding Us of What We Needed?
Australia Unfiltered: Local Shows Get Their Moment in the Sun
Hitting the Ceiling: Barriers to Growth in the Australian Games Industry
‘The Stars Are All Strange Here’: Cultural Memory and Forgetfulness in Roderick MacKay’s The Furnace
Dry Fidelity: Robert Connolly’s The Dry and Big-screen Crime Adaptation
Bird’s-eye View: Glendyn Ivin on Chance and Nature in Penguin Bloom
Out of Breath: Timely Issues and Old Gender Tropes in Seth Larney’s 2067
Shooting for the Stars: Luke Sparke’s Occupation: Rainfall and the Elusive Australian Blockbuster
Rocky Road: Running From Responsibility in Kurt Martin’s Moon Rock for Monday
A Light in the Dark: Nel Minchin on Firestarter – The Story of Bangarra
The View from the Shore: Healing Through Songline in Steven McGregor’s Looky Looky Here Comes Cooky
Hip-hop of a Different Hue: Cultural Appreciation and Identification in Oscar Kightley’s Dawn Raid
Australian Spirit: Love and Country Music in Kriv Stenders’ Slim and I
Climate of Resignation: Unquiet Adolescence in Kathy Drayton’s The Weather Diaries
Muted Suffering: Myopia and Missed Opportunities in Stateless
Confinement and Camaraderie: Girls Behind Bars in Starless Dreams and Sunless Shadows
Artificial Rain: Control, Precision and Reality in Anthony Chen’s Wet Season
Cinema Science: Aerodynamic Instruction and Paper Planes
Breaking the Spell: Nostalgia and New Directions in Earwig and the Witch
Time of Transition: First Day and Being Seen on Screen
Frozen Hearts: Coming of Age in Somersault
