739 Articles
Brave New Sector: An Industry Adapts
Second Time Lucky? Australian Games Studios in Periods of Crisis
COVID-19 and the Future of Music Television
A Response to ‘History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili’
Free Country: Colonial Incursions in Stephen Maxwell Johnson’s High Ground
Mending Fences: Animosity and Adaptation in Jeremy Sims’ Rams
Hogan’s Heroes: Star Image in Dean Murphy’s The Very Excellent Mr. Dundee
Elusive Connections: Ritual and Reconstruction in Jayden Stevens’ A Family
Bathing in Genre: Homage and Experimentation in Parish Malfitano’s Bloodshot Heart
Reflections on a Shared History: Monica Zanetti on Ellie & Abbie (& Ellie’s Dead Aunt)
Mum’s Not the Word: Identity and Autonomy in Curtis Vowell’s Baby Done
All at Sea: Confronting Exclusion in Ili Baré’s The Leadership
Bodies on the Line: Sally Ingleton’s Wild Things and Australian Environmental Documentary
Making Change: The Australian Women’s Liberation Movement in Catherine Dwyer’s Brazen Hussies
Judge, Jury and Executioner: Voyeurism and Vigilantism in Alex Roberts and Daniel Leclair’s The Meddler
Declaration of War: George Gittoes on Violence and Community Resilience in White Light
Mother’s Apron Strings: Operation Buffalo and the Discomfort with Australian History
Uneasy Transition: The City Documented in Hong Kong Moments and Many Undulating Things
Cinema Science: Cracking the Code of The Matrix
Intimacy and Betrayal: A Study Guide on The Hunting
Cultural Healing: Rethinking Education in Maya Newell’s In My Blood It Runs
Bearing Witness: Black Lives Matter Protests as Media, and Mediated, Event
Bliss
Islands in the Stream: Static Vision’s Remedy for Lockdown Loneliness
As Restrictions Ease, Cinemas Struggle On Alone
Moving Targets: Snapshots of Representation
Laughter in Lockdown: At Home Alone Together
Uneven Playing Field: How Digital Platforms Hurt Indie Games
Alone Together: Gregor Jordan on Adapting the Intangible in Dirt Music
House of Horrors: Ageing and Loss in Natalie Erika James’ Relic
All You Can Be: Self-actualisation, Self-acceptance and Disability in Paul Barakat’s Kairos
Performance, Transgression and Transformation: Angie Black’s The Five Provocations
Aussie Mayhem: Judd Tilyard on Jesse O’Brien’s Two Heads Creek
Sounds of Loss: Time and Displacement in Allison Chhorn’s The Plastic House
Forever Young: Music and Mystery in Sam Zubrycki’s Miguelito: Canto a Borinquen
Singing from the Rooftops: Art, Ambition and Hometown Pride in Liselle Mei’s Love Opera
Making Visible: Out Here, Love Bites and LGBTQIA+ Documentary on the Small Screen
Sweet, Sour and Spicy Country: Isolation as Performance in Warwick Thornton’s The Beach
