Search Results for: study guide

Landscape of Rage: Men and Women in PS Vinothraj’s Pebbles

Words Gabrielle O'Brien

Body Swap: Pulse and the Complications of Gender, Sexuality and Disability.

Words Stephen A Russell

Frozen in Time: Puberty Blues Forty Years On

Words Guy Webster

Floating Life

Words Kenta McGrath

Be Careful What You Wish for: Makoto Shinkai’s Your Name

Words Sarah Ward

Singing into the Void: Dreams, Delusion and Fame in Matthew Walker’s I’m Wanita

Words Kath Dooley

Time After Time: Temporality and Transcendence in Joseph London’s The Beloved

Words Jake Wilson

Mining the Past: Mythmaking and Identity in New Gold Mountain

Words Tahney Fosdike

Sweet Surrender: Damon Gameau’s That Sugar Film

Words Chloe Brien

War Stories: Media Coverage of the Russian Invasion of Ukraine

Words Steven Aoun

Opposite Ends of the Freeway: Upper Middle Bogan and the Mobility of Class Distinction

Words Mel Campbell

Speaking in Riddles: Sex, Comedy and Subtitles in Armağan Ballantyne’s Nude Tuesday

Words Barnaby Smith

Suburban Fragments: Community and Bricolage in Tim Barretto’s Bassendream

Words Kenta McGrath

For the Record: Commemorating the Co-ops in John Hughes and Tom Zubrycki’s Senses of Cinema

Words Jake Wilson

Australia Daze

Words Gabrielle O'Brien

Aboriginals in Australian Feature Films

Words Andrew Pike

Newsfront: The Aussie Battler

Words Barbara Boyd

Crises of Faith: Christianity, Aboriginal Spirituality and Colonisation in Warwick Thornton’s The New Boy

Words Anthony Carew

People Are the Opposite of Silence

Words Kent Jones

Solo Act: Music and the Man’s World in Janine Hosking’s Knowing the Score

Words Greta Parry

Hidden Treasures: Adolescent Adventures in Dora and the Lost City of Gold: A live-action reboot of the popular children’s TV series Dora the Explorer, James Bobin’s film ages up its protagonists and places them within a high-stakes adventure narrative. By pairing familiar characters with high school dramas and issues surrounding exploration and cultural sensitivity, the film provides plenty of conversation starters for an upper primary and junior secondary audience who may have enjoyed the show in younger years, writes Carolyn Leslie.

Words Carolyn Leslie