Notes from the Underground: Guerrilla Filmmaking in Australia

Intimacy and Betrayal: A Study Guide on The Hunting

ATFAV’s Conference – Seminar on Film Study and Film Making at Marysville, September 1974

Making a Scene: Telling Stories and Engaging Audiences on TikTok

Fast and Furious Filmmaking: YouTube’s Prospects for Budding and Veteran Screen Content Producers

Off Camera

On the Precipice: Real and Unreal Worlds in Wakefield

The Past Is a Foreign Country

Cinema Science: Coronavirus Through the Lens of Contagion


Storm Boy

Counterfeit Images: A History of Blackface on Australian Television


Lady Killers: Hounds of Love, Horror and Violence Against Women

Film Appraisals

The Sentimental Bloke

Taking Shakespeare Slam-Dancing: Re-Viewing William Shakespeare’s Romeo + Juliet

Valley of Iniquity: Escaping Subjugation in Gloriavale

Cultural Healing: Rethinking Education in Maya Newell’s In My Blood It Runs

Loved Back to Life: Hope, Community and Policy Failures in Life After the Oasis

A Response to ‘History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili

Advocacy Meets Analysis: Metro and Documentary

Holding on to Hope: Love, Pain and Child Protection in Sascha Ettinger-Epstein’s The Department

The Eyes of a Child: Coming of Age in Whale Rider, Boy and Shopping

Period Drama: A Turning Red Study Guide

Howling III: The Marsupials

Dance of Despair: Israel, Trauma and Samuel Maoz’s Foxtrot

Girls Behaving Badly: Love, Honour and Disobedience in Sophie Hyde’s Animals

Movies, Life, and Education

Clarifying the Past: Joshua Oppenheimer’s The Look of Silence

‘Mixed Up with Other People’s Dreams’: The Tangled Webs of Time in Summer

Black Robe

The Sense of Being Somewhere: Mind at War, Thalu: Dreamtime Is Now and the Rise of Virtual Reality

‘The Show Must Go On’: Transgression and the Carnivalesque in Moulin Rouge!

The Cheaters

Breaching Bounds: The Confronting Body in Miranda Nation’s Undertow

Rolling in the Deep: Jane Castle’s When the Camera Stopped Rolling

Judge, Jury and Executioner: Voyeurism and Vigilantism in Alex Roberts and Daniel Leclair’s The Meddler

Finding Home in a Daydream: Shahrbanoo Sadat’s The Orphanage and Afghan Storytelling