Search Results for: study guide
Intimacy and Betrayal: A Study Guide on The Hunting
ATFAV’s Conference – Seminar on Film Study and Film Making at Marysville, September 1974
Making a Scene: Telling Stories and Engaging Audiences on TikTok
Fast and Furious Filmmaking: YouTube’s Prospects for Budding and Veteran Screen Content Producers
Off Camera
On the Precipice: Real and Unreal Worlds in Wakefield
The Past Is a Foreign Country
Cinema Science: Coronavirus Through the Lens of Contagion
Proof
Storm Boy
Counterfeit Images: A History of Blackface on Australian Television
Editorial
Lady Killers: Hounds of Love, Horror and Violence Against Women
Film Appraisals
The Sentimental Bloke
Taking Shakespeare Slam-Dancing: Re-Viewing William Shakespeare’s Romeo + Juliet
Valley of Iniquity: Escaping Subjugation in Gloriavale
Cultural Healing: Rethinking Education in Maya Newell’s In My Blood It Runs
Loved Back to Life: Hope, Community and Policy Failures in Life After the Oasis
A Response to ‘History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili’
Advocacy Meets Analysis: Metro and Documentary
Holding on to Hope: Love, Pain and Child Protection in Sascha Ettinger-Epstein’s The Department
The Eyes of a Child: Coming of Age in Whale Rider, Boy and Shopping
Period Drama: A Turning Red Study Guide
Howling III: The Marsupials
Dance of Despair: Israel, Trauma and Samuel Maoz’s Foxtrot
Girls Behaving Badly: Love, Honour and Disobedience in Sophie Hyde’s Animals
Movies, Life, and Education
Writers
Clarifying the Past: Joshua Oppenheimer’s The Look of Silence
‘Mixed Up with Other People’s Dreams’: The Tangled Webs of Time in Summer
Black Robe
The Sense of Being Somewhere: Mind at War, Thalu: Dreamtime Is Now and the Rise of Virtual Reality
‘The Show Must Go On’: Transgression and the Carnivalesque in Moulin Rouge!
The Cheaters
Breaching Bounds: The Confronting Body in Miranda Nation’s Undertow
Rolling in the Deep: Jane Castle’s When the Camera Stopped Rolling
Judge, Jury and Executioner: Voyeurism and Vigilantism in Alex Roberts and Daniel Leclair’s The Meddler
