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Taking Shakespeare Slam-Dancing: Re-Viewing William Shakespeare’s Romeo + Juliet Words Lucy Hamilton 01 March 1999 Critical ViewsIssue No. 118
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Cultural Healing: Rethinking Education in Maya Newell’s In My Blood It Runs Words Meg Roberts 25 January 2021 FreeScreen EducationIssue No. 207
Loved Back to Life: Hope, Community and Policy Failures in Life After the Oasis Words Hanna Schenkel 04 May 2020 DocumentaryIssue No. 204
A Response to ‘History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili’ Words Peter Hegedus 10 May 2021 Letters to the EditorIssue No. 208
Advocacy Meets Analysis: Metro and Documentary Words Hanna Schenkel 06 May 2019 Special FeatureIssue No. 200
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The Sense of Being Somewhere: Mind at War, Thalu: Dreamtime Is Now and the Rise of Virtual Reality Words Kim Munro 29 January 2019 Critical ViewsIssue No. 199
Howling III: The Marsupials Words Alexandra Heller-Nicholas 04 May 2020 The NFSA Restores CollectionIssue No. 204
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Film Appraisals Words John Murray 01 July 1964 International CinemaIssue No. 1 – Issue No. 10 (Film Appreciation Newsletter vol. 1)
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Not Kidding Around: Australian–Asian Children’s Television Co-productions Words Olivia Khoo 28 October 2019 Beyond the Big ScreenIssue No. 202
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Millennial Gay: Josh Thomas’ Please Like Me Words Dion Kagan 04 August 2014 Beyond the Big ScreenIssue No. 181
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Unlucky Country: Malediction and Middle-class Malaise in James Vaughan’s Friends and Strangers Words Eileen Jones 29 November 2021 Australian and New Zealand CinemaIssue No. 210
Land of Lost Content: Finding a Way Through Walkabout Words Neil Sinyard 29 November 2021 Screen EducationIssue No. 210
Breaking Point: Grief and Rebirth in Matthew J Saville’s Juniper Words Daniel Lammin 08 August 2022 Australian and New Zealand CinemaIssue No. 213
Spinning Tales: Myth and Magic in George Miller’s Three Thousand Years of Longing Words Anthony Carew 29 November 2022 Australian and New Zealand CinemaIssue No. 214