Search Results for: study guide
Giving Time: Richard Todd’s Dying to Live and Organ Donation
‘Permission to Operate Independently’: Upgrade and the Body-machines of Action Cinema
Jumping Hurdles: Rehabilitation, Reconnection and Catherine Scott’s BackTrack Boys
beDevilling
Burning Down the House: Winchester and the Truth About Ghosts
Hidden Forces: Childhood, Commerce and Cost in Granaz Moussavi’s When Pomegranates Howl
Silence Is a Virtue: Dr Plonk and Passio
Meta Essays: Critics’ Choice IV at the International Film Festival Rotterdam 2018
The Pain of Purity: Abuse and Collusion in Vivian Qu’s Angels Wear White
Room to Move: Amiel Courtin-Wilson’s The Silent Eye
Sense and Serendipity: David Wenham’s Ellipsis
Too Far North: The Self-serving Cinema Vérité of Atlantis, Iceland
Glitched Visions: Challenging Australian Cultural and Televisual Conventions
Eternity
A Life in Chains: Servant or Slave and Aboriginal Subjugation
When Live Venues Become Screen Hubs: The Sydney Opera House Goes Online
Lost in the Woods: Greg McLean’s Jungle
Sisters Doing It for Themselves: Deniz Gamze Ergüven’s Mustang
Rocking the Foundations
Something in the Dark: The Tale of Ruby Rose and the Tasmanian Gothic
Laughing with Us: Black Comedy and Aboriginal Humour
‘Look Around’ Viewing: Virtual Reality at Sydney Film Festival 2017
Adelaide Dreams Electric: Immersive Possibilities at Adelaide Fringe
Finding the Rhythm: Ambition and Responsibility in Dingo
Assembling the Debris: Russia 1985–1999: TraumaZone
Mother’s Apron Strings: Operation Buffalo and the Discomfort with Australian History
Seeing Through the Disguise: Leigh Whannell’s The Invisible Man
Making Visible: Out Here, Love Bites and LGBTQIA+ Documentary on the Small Screen
Breaking the Spell: Nostalgia and New Directions in Earwig and the Witch
Flirting
All Talked Out: Mental Health and Masculinity in Genevieve Bailey’s Happy Sad Man
Pantomime of Violence: Gender and Outrage in Mirrah Foulkes’ Judy & Punch
Oceans Within Us: Eight Perspectives on the Pacific in Vai
Classic Takes: The NFSA Essays
Irma Vep: La femme d’Est: Olivier Assayas Interviewed by Raffaele Caputo, Rolando Caputo, Clare Stewart
Cinema for Claustrophiles: Virtual Reality at the Adelaide Film Festival and Beyond
The Electric Artist
Aural Reflections: Music, Self and Objectivity in Now Sound: Melbourne’s Listening and Her Sound, Her Story
