Film à la Mode: Juxtaposing East and West in Yellow Is Forbidden Words Rebekah Brammer 06 May 2019 Focus on Asia and the Middle EastIssue No. 200
Home on the Rocks: Blue Lucine on Displacement and The Eviction Words Jasmine Crittenden 06 May 2019 DocumentaryIssue No. 200
Age of Acceptance: Community and Inclusion in Sue Thomson’s The Coming Back Out Ball Movie Words Stephen A Russell 06 May 2019 DocumentaryIssue No. 200
Rhetoric and Reminiscence: Graham Freudenberg, Political Memory and The Scribe Words Anders Furze 06 May 2019 DocumentaryIssue No. 200
Other Voices: Grace, Who Waits Alone and New Australian Underground Cinema Words David Heslin 06 May 2019 Critical ViewsIssue No. 200
Warwick Thornton and Kath Shelper on Making Samson and Delilah Words Thomas Redwood 02 March 2009 Australian and New Zealand CinemaIssue No. 160
Cinema Science: Using the Force of Star Wars Words Dave Crewe 04 May 2020 Screen EducationIssue No. 204
The Script Problem in Australian Films & Television Words Barry Jones 25 June 1973 Industry PerspectivesIssue No. 25 (Film Appreciation Newsletter vol. 3 no. 5)
Hard Pill to Swallow: Vitamania and the Science Behind Supplements Words Matilda Dixon-Smith 29 January 2019 Beyond the Big ScreenIssue No. 199
Heading for Deep Water: Interrogating Detention in Gabrielle Brady’s Island of the Hungry Ghosts Words Anthony Carew 29 January 2019 DocumentaryIssue No. 199
Howls from the Underground: Persecution, Protest Music and Travis Beard’s RocKabul Words Lauren Carroll Harris 29 January 2019 DocumentaryIssue No. 199
Stirring Up Spectres: Ben Lawrence’s Ghosthunter and the Documentarian’s Duty of Care Words Hanna Schenkel 29 January 2019 DocumentaryIssue No. 199
Bad Blood and Bitterness: Colonisation and the Western in Warwick Thornton’s Sweet Country Words Nicholas Godfrey 29 January 2018 Spotlight on Genre FilmIssue No. 195
Introduction Words John Murray 30 March 1964 FreeEditorialIssue No. 1 – Issue No. 10 (Film Appreciation Newsletter vol. 1)
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Echoes of Tradition: Paul Williams’ Elegy for Geoffrey Gurrumul Yunupingu Words Felicity Ford 06 August 2018 DocumentaryIssue No. 197
Mirth and Malady: Homecoming Queens and Depicting Chronic Illness Words Kylie Maslen 06 August 2018 Beyond the Big ScreenIssue No. 197
Breaking the Waves: Defeating Discrimination in Christopher Nelius’ Girls Can’t Surf Words Greta Parry 30 August 2021 Australian and New Zealand CinemaIssue No. 209
Painting a Motion Picture: An interview with Shaun Tan Words Rjurik Davidson 06 September 2010 Australian and New Zealand CinemaIssue No. 166
Film Appreciation – A New Approach Words MC Sevior 05 October 1964 Media EducationIssue No. 1 – Issue No. 10 (Film Appreciation Newsletter vol. 1)
The Home Song Stories: Making It Real Words Michael Kitson 25 June 2007 Australian and New Zealand CinemaIssue No. 153
You and Me Against the World: Revisiting Puberty Blues Words Lesley Speed 22 March 2004 Critical ViewsIssue No. 140
Turning the Lens: Looking and Reliving in Hong Sang-soo’s Claire’s Camera Words Dave Crewe 07 May 2018 Focus on Asia and the Middle EastIssue No. 196
Against the Grain: The Documentary Sensibility of Sue Brooks’ Fiction Filmmaking Words Steve Thomas 07 May 2018 Industry PerspectivesIssue No. 196
The Good, the Bad and The Proposition Words Phillip Cenere 06 March 2006 Australian and New Zealand CinemaIssue No. 148
Lovesick: Bill Mousoulis and the ‘Outside World’ Words Maximilian Le Cain 02 December 2002 Australian and New Zealand CinemaIssue No. 135
Untrustworthy Images, Disguised Fictions: Kitty Green’s Casting JonBenet Words Jesse Thompson 23 October 2017 DocumentaryIssue No. 194
Life Laid Bare: Sascha Ettinger Epstein’s The Pink House and the Sex Industry Words Lauren Carroll Harris 29 January 2018 DocumentaryIssue No. 195
Everyday Longing: City Life in Winter of Our Dreams and Lonely Hearts Words Suzie Gibson, Dean Biron 29 November 2021 Critical ViewsIssue No. 210
Down and Out for Down Under: Critiquing Race Representation in Abe Forsythe’s Satire Words Mehal Krayem 30 January 2017 Australian and New Zealand CinemaIssue No. 191
Witness Born: Joe Cinque’s Consolation, Adaptation and Embodied Film Theory Words Gabrielle O'Brien 08 May 2017 Australian and New Zealand CinemaIssue No. 192
Welcoming Intercourse: Luke Warm Sex and the Importance of Sexual Discourse Words Greta Parry 24 October 2016 Critical ViewsIssue No. 190
Tale of a Luminary: The Shine Campaign Words Andrew Pike 08 May 2017 Industry PerspectivesIssue No. 192
Journey into Darkness: Justin Kurzel and Shaun Grant on Nitram Words Anthony Carew 28 February 2022 Australian and New Zealand CinemaIssue No. 211