Australian Gothic: To Have and To Hold Words Geoff Mayer 28 January 1997 Australian and New Zealand CinemaIssue No. 109
Cinema Reincarnated: Apichatpong Weerasethakul and Thai Cinema’s Radical New Life Words Anthony Carew 25 March 2013 Focus on Asia and the Middle EastIssue No. 176
History, Feminism and Time: Gillian Armstrong’s Documentary Series Words Belinda Smaill 06 December 2010 Critical ViewsIssue No. 167
Trouble in the Brotherhood: The Devil’s Playground Revisited Words Peter Wilshire 04 December 2006 Critical ViewsIssue No. 151
Cinema’s New Waves: An Interview with Albie Thoms Words Keith Beattie 10 June 2002 Critical ViewsIssue No. 133
Sacred Arts: Devotion and Disillusionment in Chaitanya Tamhane’s The Disciple Words Anthony Carew 29 November 2021 Focus on Asia and the Middle EastIssue No. 210
Boys Will Be Boys: Horror Tropes and Male Privilege in Chris Peckover’s Better Watch Out Words Kate Robertson 29 January 2018 Spotlight on Genre FilmIssue No. 195
Candid Camera: Ryūsuke Hamaguchi’s Happy Hour Words Anthony Carew 08 May 2017 Focus on Asia and the Middle EastIssue No. 192
Cinema Science: Animal Activities in Babe Words Dave Crewe 28 February 2022 Screen EducationIssue No. 211
Infectious Scrolling: Social Media, Mental Health and COVID-19 Words Adolfo Aranjuez 19 October 2020 Scope: Screen Industry ViewsIssue No. 206
Distant Memories: Grief and Childhood in Li Dongmei’s Mama Words Debbie Zhou 30 May 2022 Focus on Asia and the Middle EastIssue No. 212
Flying the Coop: An Australian Coming of Age in Careful He Might Hear You Words Jarrod Sturnieks 30 May 2022 Critical ViewsIssue No. 212
A Little Less Conversation: The Convenient Omissions of Baz Luhrmann’s Elvis Words Greta Parry 29 November 2022 Australian and New Zealand CinemaIssue No. 214
Roles to Play: Games, Learning and Child Development in Bluey Words Steven Aoun 18 January 2024 FreeCritical ViewsIssue No. 216
Laughter Through Tears: Palestine and Self-portraiture in the Films of Elia Suleiman Words Anthony Carew 19 October 2020 Focus on Asia and the Middle EastIssue No. 206
Uneasy Transition: The City Documented in Hong Kong Moments and Many Undulating Things Words Anthony Carew 25 January 2021 Focus on Asia and the Middle EastIssue No. 207
Moving Targets: Snapshots of Representation Words Adolfo Aranjuez 25 January 2021 Scope: Screen Industry ViewsIssue No. 207
Capricious Childhood: Confronting Family Life in John Sheedy’s H Is for Happiness Words Susan Bye 03 August 2020 Australian and New Zealand CinemaIssue No. 205
Sounds of Loss: Time and Displacement in Allison Chhorn’s The Plastic House Words Susan Bye 19 October 2020 DocumentaryIssue No. 206
Australian Spirit: Love and Country Music in Kriv Stenders’ Slim and I Words Barnaby Smith 10 May 2021 DocumentaryIssue No. 208
Climate of Resignation: Unquiet Adolescence in Kathy Drayton’s The Weather Diaries Words Travis Johnson 10 May 2021 DocumentaryIssue No. 208
Frozen Hearts: Coming of Age in Somersault Words Jarrod Sturnieks 10 May 2021 Screen EducationIssue No. 208
Maternal Instinct: Genre, Grief and Mental Illness in Kim Farrant’s Angel of Mine Words Dave Crewe 04 May 2020 Australian and New Zealand CinemaIssue No. 204
Top Dogs: The ABC’s Bluey and Australian Children’s Animation Words Cameron Williams 28 October 2019 Beyond the Big ScreenIssue No. 202
Chosen Land: Affection and Ambivalence in Nadav Lapid’s Films About Israel Words Anthony Carew 28 October 2019 Focus on Asia and the Middle EastIssue No. 202
Mother Tongue: She Who Must Be Obeyed Loved and Aboriginal Women’s Stories Words Paola Balla 28 October 2019 DocumentaryIssue No. 202
The Winding Road Home: Kaye Harrison on Displacement, Detention andd Sanctuary Words Jasmine Crittenden 28 October 2019 DocumentaryIssue No. 202
Mental-health Crisis in the Screen Industries Words Rochelle Siemienowicz 28 October 2019 Scope: Screen Industry ViewsIssue No. 202
Lust in Space: Teenage Queerness and Connection in Samuel van Grinsven’s Sequin in a Blue Room Words Laurence Barber 28 January 2020 Australian and New Zealand CinemaIssue No. 203
The Price of Fish: Slavery and Social Responsibility in Rodd Rathjen’s Buoyancy Words Stephen A Russell 28 January 2020 Australian and New Zealand CinemaIssue No. 203
Smoke and Mirrors: Midi Z’s Nina Wu and the Cinema of Self-reflection Words Gabrielle O'Brien 28 January 2020 Focus on Asia and the Middle EastIssue No. 203
History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili Words Jessica Friedmann 28 January 2020 DocumentaryIssue No. 203
Everybody’s Still Kung-fu Fighting: Serge Ou’s Iron Fists and Kung Fu Kicks Words Elizabeth Flux 28 January 2020 DocumentaryIssue No. 203
Multiplayer Mode: Loss and Growing Up in Makoto Nagahisa’s We Are Little Zombies Words Anthony Carew 04 May 2020 Focus on Asia and the Middle EastIssue No. 204
Picnic at Hanging Rock: Some Impressions, Historical and Cultural Words Jim Tate 31 May 1976 FreeAustralian and New Zealand CinemaIssue No. 35