Monkey Grip

Australian Gothic: To Have and To Hold

Cinema Reincarnated: Apichatpong Weerasethakul and Thai Cinema’s Radical New Life

History, Feminism and Time: Gillian Armstrong’s Documentary Series

Trouble in the Brotherhood: The Devil’s Playground Revisited

Cinema’s New Waves: An Interview with Albie Thoms

Sacred Arts: Devotion and Disillusionment in Chaitanya Tamhane’s The Disciple

Boys Will Be Boys: Horror Tropes and Male Privilege in Chris Peckover’s Better Watch Out

Candid Camera: Ryūsuke Hamaguchi’s Happy Hour

Cinema Science: Animal Activities in Babe

Infectious Scrolling: Social Media, Mental Health and COVID-19

The Big Steal

Distant Memories: Grief and Childhood in Li Dongmei’s Mama

Flying the Coop: An Australian Coming of Age in Careful He Might Hear You

A Little Less Conversation: The Convenient Omissions of Baz Luhrmann’s Elvis

Roles to Play: Games, Learning and Child Development in Bluey

The Bridge

Enabling a Screen Ecology

Laughter Through Tears: Palestine and Self-portraiture in the Films of Elia Suleiman

Uneasy Transition: The City Documented in Hong Kong Moments and Many Undulating Things

Moving Targets: Snapshots of Representation

Capricious Childhood: Confronting Family Life in John Sheedy’s H Is for Happiness

Sounds of Loss: Time and Displacement in Allison Chhorn’s The Plastic House

Australian Spirit: Love and Country Music in Kriv Stenders’ Slim and I

Climate of Resignation: Unquiet Adolescence in Kathy Drayton’s The Weather Diaries

Frozen Hearts: Coming of Age in Somersault

Maternal Instinct: Genre, Grief and Mental Illness in Kim Farrant’s Angel of Mine

Top Dogs: The ABC’s Bluey and Australian Children’s Animation

Chosen Land: Affection and Ambivalence in Nadav Lapid’s Films About Israel

Mother Tongue: She Who Must Be Obeyed Loved and Aboriginal Women’s Stories

The Winding Road Home: Kaye Harrison on Displacement, Detention andd Sanctuary

Mental-health Crisis in the Screen Industries

Lust in Space: Teenage Queerness and Connection in Samuel van Grinsven’s Sequin in a Blue Room

The Price of Fish: Slavery and Social Responsibility in Rodd Rathjen’s Buoyancy

Smoke and Mirrors: Midi Z’s Nina Wu and the Cinema of Self-reflection

History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili

Everybody’s Still Kung-fu Fighting: Serge Ou’s Iron Fists and Kung Fu Kicks

Multiplayer Mode: Loss and Growing Up in Makoto Nagahisa’s We Are Little Zombies

Picnic at Hanging Rock: Some Impressions, Historical and Cultural