For Richer or Poorer: Marriage, Market Economics and Olivia Martin-McGuire’s China Love Words Lauren Carroll Harris 22 October 2018 DocumentaryIssue No. 198
Power and the Personality: Ray Argall’s Midnight Oil: 1984 Words Cavan Gallagher 22 October 2018 DocumentaryIssue No. 198
As Long as You Love Me: Jessica Leski’s I Used to Be Normal: A Boyband Fangirl Story Words Sarah Ward 22 October 2018 DocumentaryIssue No. 198
Cut-up Country: The Polemics of Presentation in [Censored] and Terror Nullius Words Anthony Carew 22 October 2018 Critical ViewsIssue No. 198
Welcome to Television: Philip Brady on In Melbourne Tonight and Australia’s Early Variety Shows Words Adrian Schober 22 October 2018 Critical ViewsIssue No. 198
Obstacle Course: Increasing Women’s Participation in Australian Film and Television Words Sally Storey 22 October 2018 Industry PerspectivesIssue No. 198
Surf’s Up: Watching Web Series Words Rochelle Siemienowicz 22 October 2018 Scope: Screen Industry ViewsIssue No. 198
Stan the Man with 1 Million Subscribers Words Cameron Williams 22 October 2018 Scope: Screen Industry ViewsIssue No. 198
The End of an Era as Lee Lin Chin Leaves SBS Words Liz Giuffre 22 October 2018 Scope: Screen Industry ViewsIssue No. 198
Muddied Waters: Risk and Reflection in Simon Baker’s Breath Words Dave Crewe 06 August 2018 Australian and New Zealand CinemaIssue No. 197
Heavy Here and Now: Alena Lodkina’s Strange Colours Words Adrian Martin 06 August 2018 Australian and New Zealand CinemaIssue No. 197
Burning Down the House: Winchester and the Truth About Ghosts Words Elizabeth Flux 06 August 2018 Australian and New Zealand CinemaIssue No. 197
Rebel on the Screen: Mike Retter on Youth on the March Words Anthony Nocera 06 August 2018 Australian and New Zealand CinemaIssue No. 197
Recurring Nightmares: Dark Australian Classics Reimagined Words Stephen A Russell 06 August 2018 Beyond the Big ScreenIssue No. 197
Pride in Protest: The ABC’s Riot and the Birth of Mardi Gras Words Glenn Dunks 06 August 2018 Beyond the Big ScreenIssue No. 197
Tip of the Landfill: The ABC’s War on Waste Words Sam van Zweden 06 August 2018 Beyond the Big ScreenIssue No. 197
Mirth and Malady: Homecoming Queens and Depicting Chronic Illness Words Kylie Maslen 06 August 2018 Beyond the Big ScreenIssue No. 197
Dance of Despair: Israel, Trauma and Samuel Maoz’s Foxtrot Words Anthony Carew 06 August 2018 Focus on Asia and the Middle EastIssue No. 197
It’s Still Life: Abbas Kiarostami’s 24 Frames Words James Robert Douglas 06 August 2018 Focus on Asia and the Middle EastIssue No. 197
Representing Resistance: Ayse Toprak’s Mr Gay Syria and LGBTQIA+ Rights Words Gabrielle O'Brien 06 August 2018 Focus on Asia and the Middle EastIssue No. 197
Obstructed Progress: Ai Weiwei’s Human Flow and the Global Refugee Crisis Words Hanna Schenkel 06 August 2018 DocumentaryIssue No. 197
Echoes of Tradition: Paul Williams’ Elegy for Geoffrey Gurrumul Yunupingu Words Felicity Ford 06 August 2018 DocumentaryIssue No. 197
Creation in the Cutting Room: Jill Bilcock on the Art of Film Editing Words Oliver Pfeiffer 06 August 2018 DocumentaryIssue No. 197
Portrait of a Man Condemned: Matthew Sleeth’s Guilty Words Sarah Ward 06 August 2018 DocumentaryIssue No. 197
Colonial Inquest: Les McLaren and Annie Stiven’s Life Is a Very Strange Thing Words John Catania 06 August 2018 DocumentaryIssue No. 197
Landscape of Silence: Sound Design in the Films of Warwick Thornton Words Eloise Ross 06 August 2018 Critical ViewsIssue No. 197
Freaky Farmers and Sick Flocks: The Locals and Black Sheep Words Louise Lavery 06 August 2018 Critical ViewsIssue No. 197
Seeing Double: ABC Comedy and SBS Viceland Words Cameron Williams 06 August 2018 Industry PerspectivesIssue No. 197
Stand-up on the Small Screen Words Liz Giuffre 06 August 2018 Scope: Screen Industry ViewsIssue No. 197
Full Stream Ahead Against Piracy Words Glenn Dunks 06 August 2018 Scope: Screen Industry ViewsIssue No. 197
Labour of Love: Unionisation in the Videogames Industry Words Dan Golding 06 August 2018 Scope: Screen Industry ViewsIssue No. 197
Smashing Barriers to Entry: Screen Australia’s Drama-development Funding Overhaul Words Rochelle Siemienowicz 06 August 2018 Scope: Screen Industry ViewsIssue No. 197
Welcome to Ugly Country: Nostalgia and Nationalism in Stephan Elliott’s Swinging Safari Words Dave Crewe 07 May 2018 Australian and New Zealand CinemaIssue No. 196
Musical Chairs: Perspective and ‘Heavy’ Humour in Ben Elton’s Three Summers Words Elizabeth Flux 07 May 2018 Australian and New Zealand CinemaIssue No. 196
Ties That Bind: Kriv Stenders’ Australia Day and the Problems of Patriotism Words Zoë Wallin 07 May 2018 Australian and New Zealand CinemaIssue No. 196
Sense and Serendipity: David Wenham’s Ellipsis Words Tara Judah 07 May 2018 Australian and New Zealand CinemaIssue No. 196
Stealing Time: Fatherhood, the ‘Third Space’ and Sam Voutas’ King of Peking Words Leah Jing 07 May 2018 Australian and New Zealand CinemaIssue No. 196
The Pain of Purity: Abuse and Collusion in Vivian Qu’s Angels Wear White Words Simran Hans 07 May 2018 Focus on Asia and the Middle EastIssue No. 196