For Richer or Poorer: Marriage, Market Economics and Olivia Martin-McGuire’s China Love

Power and the Personality: Ray Argall’s Midnight Oil: 1984

As Long as You Love Me: Jessica Leski’s I Used to Be Normal: A Boyband Fangirl Story

Cut-up Country: The Polemics of Presentation in [Censored] and Terror Nullius

Welcome to Television: Philip Brady on In Melbourne Tonight and Australia’s Early Variety Shows

Monkey Grip

Obstacle Course: Increasing Women’s Participation in Australian Film and Television

Surf’s Up: Watching Web Series

Stan the Man with 1 Million Subscribers

The End of an Era as Lee Lin Chin Leaves SBS

Muddied Waters: Risk and Reflection in Simon Baker’s Breath

Heavy Here and Now: Alena Lodkina’s Strange Colours

Burning Down the House: Winchester and the Truth About Ghosts

Rebel on the Screen: Mike Retter on Youth on the March

Recurring Nightmares: Dark Australian Classics Reimagined

Pride in Protest: The ABC’s Riot and the Birth of Mardi Gras

Tip of the Landfill: The ABC’s War on Waste

Mirth and Malady: Homecoming Queens and Depicting Chronic Illness

Dance of Despair: Israel, Trauma and Samuel Maoz’s Foxtrot

It’s Still Life: Abbas Kiarostami’s 24 Frames

Representing Resistance: Ayse Toprak’s Mr Gay Syria and LGBTQIA+ Rights

Obstructed Progress: Ai Weiwei’s Human Flow and the Global Refugee Crisis

Echoes of Tradition: Paul Williams’ Elegy for Geoffrey Gurrumul Yunupingu

Creation in the Cutting Room: Jill Bilcock on the Art of Film Editing

Portrait of a Man Condemned: Matthew Sleeth’s Guilty

Colonial Inquest: Les McLaren and Annie Stiven’s Life Is a Very Strange Thing

Storm Boy

Landscape of Silence: Sound Design in the Films of Warwick Thornton

Freaky Farmers and Sick Flocks: The Locals and Black Sheep

Seeing Double: ABC Comedy and SBS Viceland

Stand-up on the Small Screen

Full Stream Ahead Against Piracy

Labour of Love: Unionisation in the Videogames Industry

Smashing Barriers to Entry: Screen Australia’s Drama-development Funding Overhaul

Welcome to Ugly Country: Nostalgia and Nationalism in Stephan Elliott’s Swinging Safari

Musical Chairs: Perspective and ‘Heavy’ Humour in Ben Elton’s Three Summers

Ties That Bind: Kriv Stenders’ Australia Day and the Problems of Patriotism

Sense and Serendipity: David Wenham’s Ellipsis

Stealing Time: Fatherhood, the ‘Third Space’ and Sam Voutas’ King of Peking

The Pain of Purity: Abuse and Collusion in Vivian Qu’s Angels Wear White