Flirting
Words Danica van de Velde
739 Articles
Flirting
Brave New Sector: An Industry Adapts
Words Rochelle Siemienowicz
Second Time Lucky? Australian Games Studios in Periods of Crisis
Words April Tyack
COVID-19 and the Future of Music Television
Words Liz Giuffre
A Response to ‘History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili’
Words Peter Hegedus
Free Country: Colonial Incursions in Stephen Maxwell Johnson’s High Ground
Words Nicholas Godfrey
Mending Fences: Animosity and Adaptation in Jeremy Sims’ Rams
Words Barnaby Smith
Hogan’s Heroes: Star Image in Dean Murphy’s The Very Excellent Mr. Dundee
Words Jake Wilson
Elusive Connections: Ritual and Reconstruction in Jayden Stevens’ A Family
Words Gabrielle O'Brien
Bathing in Genre: Homage and Experimentation in Parish Malfitano’s Bloodshot Heart
Words Dave Crewe
Reflections on a Shared History: Monica Zanetti on Ellie & Abbie (& Ellie’s Dead Aunt)
Words Stephen A Russell
Mum’s Not the Word: Identity and Autonomy in Curtis Vowell’s Baby Done
Words Mel Campbell
All at Sea: Confronting Exclusion in Ili Baré’s The Leadership
Words Debbie Zhou
Bodies on the Line: Sally Ingleton’s Wild Things and Australian Environmental Documentary
Words Belinda Smaill
Making Change: The Australian Women’s Liberation Movement in Catherine Dwyer’s Brazen Hussies
Words Glenn Dunks
Judge, Jury and Executioner: Voyeurism and Vigilantism in Alex Roberts and Daniel Leclair’s The Meddler
Words Anthony Carew
Declaration of War: George Gittoes on Violence and Community Resilience in White Light
Words Stephen A Russell
Mother’s Apron Strings: Operation Buffalo and the Discomfort with Australian History
Words Cameron Williams
Uneasy Transition: The City Documented in Hong Kong Moments and Many Undulating Things
Words Anthony Carew
Cinema Science: Cracking the Code of The Matrix
Words Dave Crewe
Intimacy and Betrayal: A Study Guide on The Hunting
Words Catherine Manning
Cultural Healing: Rethinking Education in Maya Newell’s In My Blood It Runs
Words Meg Roberts
Bearing Witness: Black Lives Matter Protests as Media, and Mediated, Event
Words Steven Aoun
Bliss
Words Adrian Danks
Islands in the Stream: Static Vision’s Remedy for Lockdown Loneliness
Words Louise Sheedy
As Restrictions Ease, Cinemas Struggle On Alone
Words Rochelle Siemienowicz
Moving Targets: Snapshots of Representation
Words Adolfo Aranjuez
Laughter in Lockdown: At Home Alone Together
Words Liz Giuffre
Uneven Playing Field: How Digital Platforms Hurt Indie Games
Words April Tyack
Alone Together: Gregor Jordan on Adapting the Intangible in Dirt Music
Words Stephen A Russell
House of Horrors: Ageing and Loss in Natalie Erika James’ Relic
Words Josh Nelson
All You Can Be: Self-actualisation, Self-acceptance and Disability in Paul Barakat’s Kairos
Words Hanna Schenkel
Performance, Transgression and Transformation: Angie Black’s The Five Provocations
Words Gabrielle O'Brien
Aussie Mayhem: Judd Tilyard on Jesse O’Brien’s Two Heads Creek
Words Oliver Pfeiffer
Sounds of Loss: Time and Displacement in Allison Chhorn’s The Plastic House
Words Susan Bye
Forever Young: Music and Mystery in Sam Zubrycki’s Miguelito: Canto a Borinquen
Words Jasmine Crittenden
Singing from the Rooftops: Art, Ambition and Hometown Pride in Liselle Mei’s Love Opera
Words Rebekah Brammer
Making Visible: Out Here, Love Bites and LGBTQIA+ Documentary on the Small Screen
Words Kim Munro
Sweet, Sour and Spicy Country: Isolation as Performance in Warwick Thornton’s The Beach
Words Kenta McGrath
Signs and Wonders: Bringing The Luminaries to Screen
Words Anthony Carew