Doing It for the Kids: Gayby Baby and Same-sex families
Words Jasmine Crittenden
739 Articles
Doing It for the Kids: Gayby Baby and Same-sex families
Old Hands, New Breed: Mad Max: Fury Road and Evolving Gender Roles
Words Cavan Gallagher
Clarifying the Past: Joshua Oppenheimer’s The Look of Silence
Words Hanna Schenkel
In the Name of the Father: Indoctrination and Revolt in Ariel Kleiman’s Partisan
Words Adam Briggs
Laughing with Us: Black Comedy and Aboriginal Humour
Words Alexandra Neill
Reeling in the Beast: The Anti-Russian, Russian Leviathan
Words Greg Dolgopolov
Sweet Surrender: Damon Gameau’s That Sugar Film
Words Chloe Brien
Crocodile Dundee
Words Jeanette Hoorn
Revenge of the Cheese Grater: Housebound and the Domestic Horror-Comedy
Words Alexandra Heller-Nicholas
Winter of Discontent: The Pensive Theatre of Nuri Bilge Ceylan’s Winter Sleep
Words Gabrielle O'Brien
Refracting Ramingining: Still Our Country – Reflections on a Culture
Words Laurence Barber
The Eyes of a Child: Coming of Age in Whale Rider, Boy and Shopping
Words Jasmine Crittenden
Jedda
Words Rose Lucas
Question Time: A Conversation with the Spierig Brothers About Predestination
Words Dave Hoskin
Bloody Good Comedy: What We Do in the Shadows
Words Anthony Carew
Behind Closed Doors: Josh Lawson on The Little Death
Words Oliver Pfeiffer
Struggling with Silence: Rachel Perkins’ Black Panther Woman
Words Julia Scott-Stevenson
Night Cries: A Rural Tragedy
Words Deane Williams
Abstracts of Violence: Amiel Courtin-Wilson and Michael Cody’s Ruin
Words Scott McCulloch
Against the Clock: Hugh Sullivan’s The Infinite Man
Words Myke Bartlett
Modern Love: Hirokazu Koreeda’s Like Father, Like Son
Words Sarinah Masukor
The Patriarchy Laid Bare: Ukraine Is Not a Brothel
Words Karen Pickering
Something in the Dark: The Tale of Ruby Rose and the Tasmanian Gothic
Words Emily Bullock
Welcome to Charlie’s Country
Words Thomas Redwood
Such Is My Love: Rhys Graham’s Galore
Words Sarinah Masukor
Millennial Gay: Josh Thomas’ Please Like Me
Words Dion Kagan
Opposite Ends of the Freeway: Upper Middle Bogan and the Mobility of Class Distinction
Words Mel Campbell
Skeletons in the Nation’s Cupboard: Warwick Thornton on Being an Aboriginal Artist
Words Thomas Redwood
Umbilical Fears: Jennifer Kent’s The Babadook
Words Briony Kidd
Cinema’s About-turn: Tim Winton’s The Turning
Words Tara Judah
Launching The Rocket: Beyond the Typical Australian Film
Words Glenn Dunks
Dances with Genre: Mystery Road
Words Greg Dolgopolov
Cinema Reincarnated: Apichatpong Weerasethakul and Thai Cinema’s Radical New Life
Words Anthony Carew
The Getting of Wisdom
Words Rose Lucas
Locating Lore: An Interview with Cate Shortland and Liz Watts
Words Jo Dillon
‘It’s in Films That I Try to Say Everything’: Andrei Tarkovsky on Women, Spirituality and the Autonomy of the Filmmaker
Words Irena Brežná, Phoebe Pua
From Drag Queens to Best Men: An Interview with Stephan Elliott
Words Thomas Caldwell
The Slap: The Heavy Hand of a Hard-hitting Drama
Words Kit MacFarlane
A Sleep Like Death: Julia Leigh’s Sleeping Beauty
Words Sarinah Masukor
Homegrown Horror: The Ethics of Snowtown’s Suburban Nightmare
Words Alexandra Heller-Nicholas